Tradition and Architectural Representation
Very often tradition has been reinvented in order to legitimize a certain ideology, discourse or political agenda and representation has played a crucial role in this process. Any representation is itself the product of a row of representations, and moreover a tradition – a process through which con...
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National Museum of the Romanian Peasant
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doaj-6bec5e54b6b547c58a4867d6662411962021-04-02T19:51:22ZengNational Museum of the Romanian PeasantMartor1224-62711224-62712017-11-01223955Tradition and Architectural RepresentationMarta Jecu0https://orcid.org/0000-0003-1322-9384Collége d’Etudes Mondiales, ParisVery often tradition has been reinvented in order to legitimize a certain ideology, discourse or political agenda and representation has played a crucial role in this process. Any representation is itself the product of a row of representations, and moreover a tradition – a process through which content is transported and created. For Cadava (2001: 39) the image is never closed, content and form are often based on an invented genealogy. In this article, I propose to focus on architecture and the way in which political content and ideology have been transmitted through the images architecture produces. These are intended to represent and apparently ‘re-produce’ certain traditions. My examples will focus on both the discipline of architecture (specifically recent practices of recreation of vernacular architecture and construction techniques) and artistic approaches to architecture.http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/martajecu/artarchitecturevernacular techniquespost-digital materialitiestradition |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marta Jecu |
spellingShingle |
Marta Jecu Tradition and Architectural Representation Martor art architecture vernacular techniques post-digital materialities tradition |
author_facet |
Marta Jecu |
author_sort |
Marta Jecu |
title |
Tradition and Architectural Representation |
title_short |
Tradition and Architectural Representation |
title_full |
Tradition and Architectural Representation |
title_fullStr |
Tradition and Architectural Representation |
title_full_unstemmed |
Tradition and Architectural Representation |
title_sort |
tradition and architectural representation |
publisher |
National Museum of the Romanian Peasant |
series |
Martor |
issn |
1224-6271 1224-6271 |
publishDate |
2017-11-01 |
description |
Very often tradition has been reinvented in order to legitimize a certain ideology, discourse or political agenda and representation has played a crucial role in this process. Any representation is itself the product of a row of representations, and moreover a tradition – a process through which content is transported and created. For Cadava (2001: 39) the image is never closed, content and form are often based on an invented genealogy. In this article, I propose to focus on architecture and the way in which political content and ideology have been transmitted through the images architecture produces. These are intended to represent and apparently ‘re-produce’ certain traditions. My examples will focus on both the discipline of architecture (specifically recent practices of recreation of vernacular architecture and construction techniques) and artistic approaches to architecture. |
topic |
art architecture vernacular techniques post-digital materialities tradition |
url |
http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/martajecu/ |
work_keys_str_mv |
AT martajecu traditionandarchitecturalrepresentation |
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