Ceci tuera cela...¡Text Will Kill the Exhibition!
<p>Coal mining, along with road building and asphalting, has been issues for Nader Koochaki’s attention since 2012 when he collaborated in the exhibition <em>Castillete. Retablo Minero </em>by Carme Nogueira in the MUSAC. The extraction and consumption of fossil fuels have transfor...
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| Format: | Article |
| Language: | English |
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SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada
2019-06-01
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| Series: | SOBRE. Prácticas artísticas y políticas de la edición |
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| Online Access: | https://revistaseug.ugr.es/index.php/sobre/article/view/9565 |
| Summary: | <p>Coal mining, along with road building and asphalting, has been issues for Nader Koochaki’s attention since 2012 when he collaborated in the exhibition <em>Castillete. Retablo Minero </em>by Carme Nogueira in the MUSAC. The extraction and consumption of fossil fuels have transformed the space and time of our lives. From the urban configuration of Tehran to the mining protests that occurred in León and Asturias, Nader explores remains and traces that have been inscribed in the territory from the particularity of the matter.</p> <p>From thinking about the practice of exposition as an editorial exercise, the author explores other forms of editing and publication. This text reviews some of the operations linked to a line of work that is characterized by being formed as a sequence of a continuous editorial exercise.</p> |
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| ISSN: | 2387-1733 2444-3484 |