Revised and enlarged edition: editorial production as an artistic and a literary genre

The appropriation of the expression «revised and enlarged edition», from the traditional publishing jargon, is presented in this article as a hypotheses to characterize contemporary publishing practices. It consid- ers the publication, in all its stages, as a writing space and as a process that neve...

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Main Author: Sofia Gonçalves
Format: Article
Language:English
Published: SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada 2016-07-01
Series:SOBRE. Prácticas artísticas y políticas de la edición
Subjects:
Online Access:https://revistaseug.ugr.es/index.php/sobre/article/view/5048
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spelling doaj-6bc0d95ee2954044853f8cda5689340a2020-11-25T03:29:09ZengSOBRE LAB. Facultad de Bellas Artes. Universidad de GranadaSOBRE. Prácticas artísticas y políticas de la edición2387-17332444-34842016-07-0120354610.30827/50484377Revised and enlarged edition: editorial production as an artistic and a literary genreSofia Gonçalves0Faculdade de Belas Artes Universidade de LisboaThe appropriation of the expression «revised and enlarged edition», from the traditional publishing jargon, is presented in this article as a hypotheses to characterize contemporary publishing practices. It consid- ers the publication, in all its stages, as a writing space and as a process that never resigns creativity and criticism.<br />These practices are «revised» (revisited) because they imply the problematization of practice, through an exploratory attitude or critic, leading to processes and discourses prepared for a permanent review. And «en- larged» because they expand the operations of each editorial production phase, they iden- tify alternative formats and models, they blur traditional roles (author/editor/designer/ reader) and question editing as a mere me- diation for the creation, circulation, reception or reading processes. In this article, we will identify some of the principles and emerging phenomena that help us understand editorial production as an artistic or a literary genre.https://revistaseug.ugr.es/index.php/sobre/article/view/5048producción editorialedicióngéneropostproducciónmontaje
collection DOAJ
language English
format Article
sources DOAJ
author Sofia Gonçalves
spellingShingle Sofia Gonçalves
Revised and enlarged edition: editorial production as an artistic and a literary genre
SOBRE. Prácticas artísticas y políticas de la edición
producción editorial
edición
género
postproducción
montaje
author_facet Sofia Gonçalves
author_sort Sofia Gonçalves
title Revised and enlarged edition: editorial production as an artistic and a literary genre
title_short Revised and enlarged edition: editorial production as an artistic and a literary genre
title_full Revised and enlarged edition: editorial production as an artistic and a literary genre
title_fullStr Revised and enlarged edition: editorial production as an artistic and a literary genre
title_full_unstemmed Revised and enlarged edition: editorial production as an artistic and a literary genre
title_sort revised and enlarged edition: editorial production as an artistic and a literary genre
publisher SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada
series SOBRE. Prácticas artísticas y políticas de la edición
issn 2387-1733
2444-3484
publishDate 2016-07-01
description The appropriation of the expression «revised and enlarged edition», from the traditional publishing jargon, is presented in this article as a hypotheses to characterize contemporary publishing practices. It consid- ers the publication, in all its stages, as a writing space and as a process that never resigns creativity and criticism.<br />These practices are «revised» (revisited) because they imply the problematization of practice, through an exploratory attitude or critic, leading to processes and discourses prepared for a permanent review. And «en- larged» because they expand the operations of each editorial production phase, they iden- tify alternative formats and models, they blur traditional roles (author/editor/designer/ reader) and question editing as a mere me- diation for the creation, circulation, reception or reading processes. In this article, we will identify some of the principles and emerging phenomena that help us understand editorial production as an artistic or a literary genre.
topic producción editorial
edición
género
postproducción
montaje
url https://revistaseug.ugr.es/index.php/sobre/article/view/5048
work_keys_str_mv AT sofiagoncalves revisedandenlargededitioneditorialproductionasanartisticandaliterarygenre
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