Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie

The present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative...

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Main Author: Bert Olivier
Format: Article
Language:Afrikaans
Published: Scriber Editorial Systems 1993-01-01
Series:Koers : Bulletin for Christian Scholarship
Online Access:https://www.koersjournal.org.za/index.php/koers/article/view/678
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spelling doaj-6b326985f05d48b99431968dc2f84ff92020-11-25T02:21:30ZafrScriber Editorial SystemsKoers : Bulletin for Christian Scholarship0023-270X2304-85571993-01-0158110.4102/koers.v58i1.678Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksieBert Olivier0Departement Filosofie Universiteit van Port Elizabeth Port ElizabethThe present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative rationality by exploring the sense in which the 'language’ of art contributes to interpretive communication in the broad sense of the term. Wittgenstein's concept of the plurality of language games is employed in conjunction with the Husserlian idea of the life-world to indicate the role of the arts in presenvig the cognitive and moral-practical richness of this sphere. Two hermeneutic models - those of Schiller a n d Gadamer - are then outlined briefly before concluding with a demonstration of their pertinence for the interjyretation of a filmic artwork, viz. Arcand’s Jesus of Montreal.https://www.koersjournal.org.za/index.php/koers/article/view/678
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Bert Olivier
spellingShingle Bert Olivier
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
Koers : Bulletin for Christian Scholarship
author_facet Bert Olivier
author_sort Bert Olivier
title Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
title_short Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
title_full Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
title_fullStr Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
title_full_unstemmed Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
title_sort kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
publisher Scriber Editorial Systems
series Koers : Bulletin for Christian Scholarship
issn 0023-270X
2304-8557
publishDate 1993-01-01
description The present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative rationality by exploring the sense in which the 'language’ of art contributes to interpretive communication in the broad sense of the term. Wittgenstein's concept of the plurality of language games is employed in conjunction with the Husserlian idea of the life-world to indicate the role of the arts in presenvig the cognitive and moral-practical richness of this sphere. Two hermeneutic models - those of Schiller a n d Gadamer - are then outlined briefly before concluding with a demonstration of their pertinence for the interjyretation of a filmic artwork, viz. Arcand’s Jesus of Montreal.
url https://www.koersjournal.org.za/index.php/koers/article/view/678
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