Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie
The present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative...
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Series: | Koers : Bulletin for Christian Scholarship |
Online Access: | https://www.koersjournal.org.za/index.php/koers/article/view/678 |
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doaj-6b326985f05d48b99431968dc2f84ff92020-11-25T02:21:30ZafrScriber Editorial SystemsKoers : Bulletin for Christian Scholarship0023-270X2304-85571993-01-0158110.4102/koers.v58i1.678Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksieBert Olivier0Departement Filosofie Universiteit van Port Elizabeth Port ElizabethThe present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative rationality by exploring the sense in which the 'language’ of art contributes to interpretive communication in the broad sense of the term. Wittgenstein's concept of the plurality of language games is employed in conjunction with the Husserlian idea of the life-world to indicate the role of the arts in presenvig the cognitive and moral-practical richness of this sphere. Two hermeneutic models - those of Schiller a n d Gadamer - are then outlined briefly before concluding with a demonstration of their pertinence for the interjyretation of a filmic artwork, viz. Arcand’s Jesus of Montreal.https://www.koersjournal.org.za/index.php/koers/article/view/678 |
collection |
DOAJ |
language |
Afrikaans |
format |
Article |
sources |
DOAJ |
author |
Bert Olivier |
spellingShingle |
Bert Olivier Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie Koers : Bulletin for Christian Scholarship |
author_facet |
Bert Olivier |
author_sort |
Bert Olivier |
title |
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
title_short |
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
title_full |
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
title_fullStr |
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
title_full_unstemmed |
Kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
title_sort |
kunsteorie en kunspraktyk: die kunste as ’n hermeneutiek-in-aksie |
publisher |
Scriber Editorial Systems |
series |
Koers : Bulletin for Christian Scholarship |
issn |
0023-270X 2304-8557 |
publishDate |
1993-01-01 |
description |
The present article sets out front Vaclav Havel's observation that there is a strong connection between good taste in art and a sensitivity towards others a n d the environment in the practical domain of life. This assertion is interrogated along the lines of Habermas’s ideal of communicative rationality by exploring the sense in which the 'language’ of art contributes to interpretive communication in the broad sense of the term. Wittgenstein's concept of the plurality of language games is employed in conjunction with the Husserlian idea of the life-world to indicate the role of the arts in presenvig the cognitive and moral-practical richness of this sphere. Two hermeneutic models - those of Schiller a n d Gadamer - are then outlined briefly before concluding with a demonstration of their pertinence for the interjyretation of a filmic artwork, viz. Arcand’s Jesus of Montreal. |
url |
https://www.koersjournal.org.za/index.php/koers/article/view/678 |
work_keys_str_mv |
AT bertolivier kunsteorieenkunspraktykdiekunsteasnhermeneutiekinaksie |
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1724865696852082688 |