| Summary: | Analyzing Burdekin’s <i>Swastika Night</i> Piercy’s <i>Woman on the Edge of Time</i> and Atwood’s <i>The Handmaid’s Tale</i> the article aims to examine the relations between space, gender-based violence, and patriarchy in women’s writing. Hitlerdom in <i>Swastika Night</i>, the mental hospital and the future dystopian New York in <i>Woman on the Edge of Time,</i> and Gilead in <i>The Handmaid’s Tale</i> are spatial and social nightmares. The authorities that rule these dystopias imprison women in restricted spaces first, limit their vocabulary and daily actions, deprive them of their beauty, freedom and consciousness, and impose maternity or sexuality upon them. My analysis will connect the limitation of space with the psychophysical domination the objectification and the disempowerment of the female gender. Hoping also to shed light on the dynamics and the reasons for contemporary real gender-based violence and depreciation, the study will be focused on: 1. the ways space contributes to the creation, the stability and the dominion of dystopian powers; 2. the representation and the construction of female figures, roles and identities; 3. the techniques of control, manipulation and oppression used by patriarchal powers against women; 4. the impact of sex, sexuality and motherhood on women’s bodies; and 5. the possible feminist alternatives or solutions proposed by the novels.
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