Reflections on The Cinema Hypothesis : A response to Alain Bergala

This article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should be a cre...

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Main Author: Andrew Robert Burn
Format: Article
Language:English
Published: UCL Press 2018-05-01
Series:Film Education Journal
Online Access:https://www.scienceopen.com/document?vid=9fad94b1-cbbd-4130-93d2-ed77382a0f6e
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spelling doaj-6aa51a72b5504cb1962095c6c0495d2c2020-12-15T17:23:09ZengUCL PressFilm Education Journal2515-70862018-05-0110.18546/FEJ.01.1.05Reflections on The Cinema Hypothesis : A response to Alain BergalaAndrew Robert BurnThis article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should be a creative process, in the viewing and interpretation of film as well as in film-making. It disputes Bergala's opposition to language-isms, arguing for the value of multimodal semiotics as a way for students to understand the structures of the moving image. It also disputes Bergala's efforts to insulate film from other media, arguing that, in a world of proliferating transmedia narrative, educators and students benefit from exploring representations and structures between and across media.https://www.scienceopen.com/document?vid=9fad94b1-cbbd-4130-93d2-ed77382a0f6e
collection DOAJ
language English
format Article
sources DOAJ
author Andrew Robert Burn
spellingShingle Andrew Robert Burn
Reflections on The Cinema Hypothesis : A response to Alain Bergala
Film Education Journal
author_facet Andrew Robert Burn
author_sort Andrew Robert Burn
title Reflections on The Cinema Hypothesis : A response to Alain Bergala
title_short Reflections on The Cinema Hypothesis : A response to Alain Bergala
title_full Reflections on The Cinema Hypothesis : A response to Alain Bergala
title_fullStr Reflections on The Cinema Hypothesis : A response to Alain Bergala
title_full_unstemmed Reflections on The Cinema Hypothesis : A response to Alain Bergala
title_sort reflections on the cinema hypothesis : a response to alain bergala
publisher UCL Press
series Film Education Journal
issn 2515-7086
publishDate 2018-05-01
description This article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should be a creative process, in the viewing and interpretation of film as well as in film-making. It disputes Bergala's opposition to language-isms, arguing for the value of multimodal semiotics as a way for students to understand the structures of the moving image. It also disputes Bergala's efforts to insulate film from other media, arguing that, in a world of proliferating transmedia narrative, educators and students benefit from exploring representations and structures between and across media.
url https://www.scienceopen.com/document?vid=9fad94b1-cbbd-4130-93d2-ed77382a0f6e
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