Reflections on The Cinema Hypothesis : A response to Alain Bergala
This article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should be a cre...
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doaj-6aa51a72b5504cb1962095c6c0495d2c2020-12-15T17:23:09ZengUCL PressFilm Education Journal2515-70862018-05-0110.18546/FEJ.01.1.05Reflections on The Cinema Hypothesis : A response to Alain BergalaAndrew Robert BurnThis article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should be a creative process, in the viewing and interpretation of film as well as in film-making. It disputes Bergala's opposition to language-isms, arguing for the value of multimodal semiotics as a way for students to understand the structures of the moving image. It also disputes Bergala's efforts to insulate film from other media, arguing that, in a world of proliferating transmedia narrative, educators and students benefit from exploring representations and structures between and across media.https://www.scienceopen.com/document?vid=9fad94b1-cbbd-4130-93d2-ed77382a0f6e |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Andrew Robert Burn |
spellingShingle |
Andrew Robert Burn Reflections on The Cinema Hypothesis : A response to Alain Bergala Film Education Journal |
author_facet |
Andrew Robert Burn |
author_sort |
Andrew Robert Burn |
title |
Reflections on The Cinema Hypothesis : A response to Alain Bergala |
title_short |
Reflections on The Cinema Hypothesis : A response to Alain Bergala |
title_full |
Reflections on The Cinema Hypothesis : A response to Alain Bergala |
title_fullStr |
Reflections on The Cinema Hypothesis : A response to Alain Bergala |
title_full_unstemmed |
Reflections on The Cinema Hypothesis : A response to Alain Bergala |
title_sort |
reflections on the cinema hypothesis : a response to alain bergala |
publisher |
UCL Press |
series |
Film Education Journal |
issn |
2515-7086 |
publishDate |
2018-05-01 |
description |
This article engages in debate with Alain Bergala's The Cinema Hypothesis . It selects four topics for discussion. The article agrees with Bergala's arguments for the importance of (film) art in education as a productively subversive practice, and that engagement with film should
be a creative process, in the viewing and interpretation of film as well as in film-making. It disputes Bergala's opposition to language-isms, arguing for the value of multimodal semiotics as a way for students to understand the structures of the moving image. It also disputes Bergala's efforts
to insulate film from other media, arguing that, in a world of proliferating transmedia narrative, educators and students benefit from exploring representations and structures between and across media. |
url |
https://www.scienceopen.com/document?vid=9fad94b1-cbbd-4130-93d2-ed77382a0f6e |
work_keys_str_mv |
AT andrewrobertburn reflectionsonthecinemahypothesisaresponsetoalainbergala |
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