Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill

This article examines the ways in which women are represented and remembered at The Women’s Jail at Constitution Hill museum, a former women’s jail that was used to incarcerate women during apartheid in Johannesburg, South Africa. Based on fieldwork at the museum, this study examines how the memory...

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Main Authors: Stephanie Bonnes, Janet Jacobs
Format: Article
Language:English
Published: University of Leicester 2017-07-01
Series:Museum & Society
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/830
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spelling doaj-6a6e00f2d97d445bba7c53b78d53d83a2020-11-24T21:13:33ZengUniversity of LeicesterMuseum & Society1479-83602017-07-0115215317010.29311/mas.v15i2.830778Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution HillStephanie Bonnes0Janet Jacobs1University of Colorado, BoulderUniversity of Colorado, BoulderThis article examines the ways in which women are represented and remembered at The Women’s Jail at Constitution Hill museum, a former women’s jail that was used to incarcerate women during apartheid in Johannesburg, South Africa. Based on fieldwork at the museum, this study examines how the memory of the former prisoners and of the apartheid regime is shaped and narrated at this site. Situating our analysis within the context of the collective memory of apartheid, we examine how the museum uses artifacts and objects to depict both the specific forms of gendered dehumanization that women experienced at the jail, as well as their journeys to incarceration as a result of discriminatory apartheid laws. We also examine the absence of torture memory and references to hierarchical structures and interactions within the jail itself, noting that these were important dynamics of prison life that are not represented in the museum. This research presents a content and visual analysis of how the use of images and artifacts may illuminate and/or silence specific memories of degradation and humiliation in a museum space. Key Words: Collective Memory, Museums, Representation, South Africa, Apartheid Memorialization, Gender and Memorializationhttps://journals.le.ac.uk/ojs1/index.php/mas/article/view/830
collection DOAJ
language English
format Article
sources DOAJ
author Stephanie Bonnes
Janet Jacobs
spellingShingle Stephanie Bonnes
Janet Jacobs
Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
Museum & Society
author_facet Stephanie Bonnes
Janet Jacobs
author_sort Stephanie Bonnes
title Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
title_short Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
title_full Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
title_fullStr Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
title_full_unstemmed Gendered Representations of Apartheid: The Women’s Jail Museum at Constitution Hill
title_sort gendered representations of apartheid: the women’s jail museum at constitution hill
publisher University of Leicester
series Museum & Society
issn 1479-8360
publishDate 2017-07-01
description This article examines the ways in which women are represented and remembered at The Women’s Jail at Constitution Hill museum, a former women’s jail that was used to incarcerate women during apartheid in Johannesburg, South Africa. Based on fieldwork at the museum, this study examines how the memory of the former prisoners and of the apartheid regime is shaped and narrated at this site. Situating our analysis within the context of the collective memory of apartheid, we examine how the museum uses artifacts and objects to depict both the specific forms of gendered dehumanization that women experienced at the jail, as well as their journeys to incarceration as a result of discriminatory apartheid laws. We also examine the absence of torture memory and references to hierarchical structures and interactions within the jail itself, noting that these were important dynamics of prison life that are not represented in the museum. This research presents a content and visual analysis of how the use of images and artifacts may illuminate and/or silence specific memories of degradation and humiliation in a museum space. Key Words: Collective Memory, Museums, Representation, South Africa, Apartheid Memorialization, Gender and Memorialization
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/830
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