Alai’s The Mountain Stairway: A Grassroots Conception of Tibet

It seems that the current literature regarding Tibet is quite impoverished as a true cultural indicator of the region and its people. The West writes of Tibet as an exotic solution to its own malaise, or as the last refuge of Hermetic wisdom. The Han Chinese have used Tibet as a muse and as an antid...

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Bibliographic Details
Main Author: David Duckler
Format: Article
Language:English
Published: Open Library of Humanities 2010-04-01
Series:The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
Online Access:http://www.asianetworkexchange.org/articles/211
Description
Summary:It seems that the current literature regarding Tibet is quite impoverished as a true cultural indicator of the region and its people. The West writes of Tibet as an exotic solution to its own malaise, or as the last refuge of Hermetic wisdom. The Han Chinese have used Tibet as a muse and as an antidote to materialism. The current literary criticism brushes over cultural and stylistic concerns to cut right to politics. In every case, Tibet as a cultural concept is simply used to complement something external to it, to stand in contrast to something else. The Tibetan writer Alai specifically rejects these negative and meaningless definitions of Tibet.
ISSN:1943-9938
1943-9946