Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers

Spontaneous expression is a unique method of artistic creation that emerged from within a circle of Chinese Confucian scholar-philosophers for whom artistic creation complemented their philosophical activities. Free improvisation is a new phenomenon of the European art scene. It is typified by spont...

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Main Author: Rafał Mazur
Format: Article
Language:deu
Published: Institute of Philosophy of the Jagiellonian University 2014-03-01
Series:The Polish Journal of Aesthetics
Subjects:
Online Access:https://pjaesthetics.uj.edu.pl/documents/138618288/138871836/eik_32_3.pdf/eb32832c-57e0-4f69-b634-3671bc6a4ccd
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spelling doaj-69e76ffc26214c938d84de80acea1a662021-01-09T15:30:32ZdeuInstitute of Philosophy of the Jagiellonian UniversityThe Polish Journal of Aesthetics2544-82422544-82422014-03-01321/20145365Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-PhilosophersRafał Mazur0Jagiellonian University in KrakówSpontaneous expression is a unique method of artistic creation that emerged from within a circle of Chinese Confucian scholar-philosophers for whom artistic creation complemented their philosophical activities. Free improvisation is a new phenomenon of the European art scene. It is typified by spontaneous, often ad hoc creation, without prior preparation of the act or the object. I want to illustrate the similarities in the strategies of creation between ‘spontaneous expression’ and ‘free improvisation’ and the extent to which the philosophical foundations and resulting strategies of the former can be used in the latter, demonstrating the philosophical basis for this artistic discipline. I will primarily consider the mind of the creator, and justify the thesis that the state of mind, or mental attitude, necessary for the practice of spontaneous expression could be useful in the development of the practice of free improvisation in contemporary art (European art here would be inaccurate). A ‘method without method’ built on the basis of Chinese philosophy can help generate a strategy to develop and improve the skills of improvisation among contemporary European artists and contribute to the development of a contemporary philosophy of free improvisation. It is my opinion that these are fields that lie fallow. This would be an attempt to adapt the strategy of creation borne of original Chinese philosophy to contemporary artistic activities and aesthetic studies: a kind of transcultural bridge.https://pjaesthetics.uj.edu.pl/documents/138618288/138871836/eik_32_3.pdf/eb32832c-57e0-4f69-b634-3671bc6a4ccdspontaneous expressionspontaneous/free improvisationdaoist strategychinese aesthetics
collection DOAJ
language deu
format Article
sources DOAJ
author Rafał Mazur
spellingShingle Rafał Mazur
Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
The Polish Journal of Aesthetics
spontaneous expression
spontaneous/free improvisation
daoist strategy
chinese aesthetics
author_facet Rafał Mazur
author_sort Rafał Mazur
title Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
title_short Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
title_full Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
title_fullStr Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
title_full_unstemmed Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
title_sort spontaneous expression and spontaneous improvisation: what contemporary improvising artists can learn from chinese artists-philosophers
publisher Institute of Philosophy of the Jagiellonian University
series The Polish Journal of Aesthetics
issn 2544-8242
2544-8242
publishDate 2014-03-01
description Spontaneous expression is a unique method of artistic creation that emerged from within a circle of Chinese Confucian scholar-philosophers for whom artistic creation complemented their philosophical activities. Free improvisation is a new phenomenon of the European art scene. It is typified by spontaneous, often ad hoc creation, without prior preparation of the act or the object. I want to illustrate the similarities in the strategies of creation between ‘spontaneous expression’ and ‘free improvisation’ and the extent to which the philosophical foundations and resulting strategies of the former can be used in the latter, demonstrating the philosophical basis for this artistic discipline. I will primarily consider the mind of the creator, and justify the thesis that the state of mind, or mental attitude, necessary for the practice of spontaneous expression could be useful in the development of the practice of free improvisation in contemporary art (European art here would be inaccurate). A ‘method without method’ built on the basis of Chinese philosophy can help generate a strategy to develop and improve the skills of improvisation among contemporary European artists and contribute to the development of a contemporary philosophy of free improvisation. It is my opinion that these are fields that lie fallow. This would be an attempt to adapt the strategy of creation borne of original Chinese philosophy to contemporary artistic activities and aesthetic studies: a kind of transcultural bridge.
topic spontaneous expression
spontaneous/free improvisation
daoist strategy
chinese aesthetics
url https://pjaesthetics.uj.edu.pl/documents/138618288/138871836/eik_32_3.pdf/eb32832c-57e0-4f69-b634-3671bc6a4ccd
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