A look from the inside. The landscape as a significant subject.

This work of reflection investigates the meaning of the word landscape and its value in the architectural work. It is based on the research carried out on different landscape concepts defined from the perceptual processes of man, on the imaginary ones that he forms as a product of those processes an...

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Bibliographic Details
Main Author: Arq. Carlos Pantaleón
Format: Article
Language:Spanish
Published: Ediciones UNL 2019-12-01
Series:ARQUISUR Revista
Subjects:
Online Access:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ARQUISUR/article/view/8458/12189
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spelling doaj-69d7411671264a4db1cf13d82e9175bc2020-11-25T01:56:25ZspaEdiciones UNLARQUISUR Revista1853-23652250-42062019-12-01916405310.14409/ar.v9i16.8458A look from the inside. The landscape as a significant subject. Arq. Carlos Pantaleón0Facultad de Arquitectura, Diseño y Urbanismo. Universidad de la República. This work of reflection investigates the meaning of the word landscape and its value in the architectural work. It is based on the research carried out on different landscape concepts defined from the perceptual processes of man, on the imaginary ones that he forms as a product of those processes and the incidence of those imaginary in his cultural formation, and the behavior he performs in the world from the incorporation of those imaginary. In this particular case, and with the objective of reflecting on some of the notions from which a building is designed, the architectural work is considered as an intermediary between the subject that inhabits it and the environment that contains it, conceived as a device for provoke sensations through images projected by the architect. A synthesis of the history of the landscape in Occident and in Orient prefaces the work and defines the theoretical framework of this work, while exposing and documenting the concepts that are handled here. From these concepts and as a conclusion, we reflect on the contributions made by the Church in Water, designed and built by the Japanese architect Tadao Ando, ​​to this particular approach to the subject.https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ARQUISUR/article/view/8458/12189aestheticsecclesiastical architectureperceptionsacred space and profane spacetadao ando
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language Spanish
format Article
sources DOAJ
author Arq. Carlos Pantaleón
spellingShingle Arq. Carlos Pantaleón
A look from the inside. The landscape as a significant subject.
ARQUISUR Revista
aesthetics
ecclesiastical architecture
perception
sacred space and profane space
tadao ando
author_facet Arq. Carlos Pantaleón
author_sort Arq. Carlos Pantaleón
title A look from the inside. The landscape as a significant subject.
title_short A look from the inside. The landscape as a significant subject.
title_full A look from the inside. The landscape as a significant subject.
title_fullStr A look from the inside. The landscape as a significant subject.
title_full_unstemmed A look from the inside. The landscape as a significant subject.
title_sort look from the inside. the landscape as a significant subject.
publisher Ediciones UNL
series ARQUISUR Revista
issn 1853-2365
2250-4206
publishDate 2019-12-01
description This work of reflection investigates the meaning of the word landscape and its value in the architectural work. It is based on the research carried out on different landscape concepts defined from the perceptual processes of man, on the imaginary ones that he forms as a product of those processes and the incidence of those imaginary in his cultural formation, and the behavior he performs in the world from the incorporation of those imaginary. In this particular case, and with the objective of reflecting on some of the notions from which a building is designed, the architectural work is considered as an intermediary between the subject that inhabits it and the environment that contains it, conceived as a device for provoke sensations through images projected by the architect. A synthesis of the history of the landscape in Occident and in Orient prefaces the work and defines the theoretical framework of this work, while exposing and documenting the concepts that are handled here. From these concepts and as a conclusion, we reflect on the contributions made by the Church in Water, designed and built by the Japanese architect Tadao Ando, ​​to this particular approach to the subject.
topic aesthetics
ecclesiastical architecture
perception
sacred space and profane space
tadao ando
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ARQUISUR/article/view/8458/12189
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