La figure de la comparaison chez Flaubert

We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The ev...

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Main Author: Nathalie Petibon
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2014-10-01
Series:Flaubert: Revue Critique et Génétique
Online Access:http://journals.openedition.org/flaubert/2279
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spelling doaj-69a8bf190f6440a3b3ba780fea596cad2020-11-25T03:51:38ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-10-01La figure de la comparaison chez FlaubertNathalie PetibonWe will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame.http://journals.openedition.org/flaubert/2279
collection DOAJ
language fra
format Article
sources DOAJ
author Nathalie Petibon
spellingShingle Nathalie Petibon
La figure de la comparaison chez Flaubert
Flaubert: Revue Critique et Génétique
author_facet Nathalie Petibon
author_sort Nathalie Petibon
title La figure de la comparaison chez Flaubert
title_short La figure de la comparaison chez Flaubert
title_full La figure de la comparaison chez Flaubert
title_fullStr La figure de la comparaison chez Flaubert
title_full_unstemmed La figure de la comparaison chez Flaubert
title_sort la figure de la comparaison chez flaubert
publisher Institut des Textes & Manuscrits Modernes (ITEM)
series Flaubert: Revue Critique et Génétique
issn 1969-6191
publishDate 2014-10-01
description We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame.
url http://journals.openedition.org/flaubert/2279
work_keys_str_mv AT nathaliepetibon lafiguredelacomparaisonchezflaubert
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