La figure de la comparaison chez Flaubert
We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The ev...
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2014-10-01
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Series: | Flaubert: Revue Critique et Génétique |
Online Access: | http://journals.openedition.org/flaubert/2279 |
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doaj-69a8bf190f6440a3b3ba780fea596cad2020-11-25T03:51:38ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-10-01La figure de la comparaison chez FlaubertNathalie PetibonWe will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame.http://journals.openedition.org/flaubert/2279 |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Nathalie Petibon |
spellingShingle |
Nathalie Petibon La figure de la comparaison chez Flaubert Flaubert: Revue Critique et Génétique |
author_facet |
Nathalie Petibon |
author_sort |
Nathalie Petibon |
title |
La figure de la comparaison chez Flaubert |
title_short |
La figure de la comparaison chez Flaubert |
title_full |
La figure de la comparaison chez Flaubert |
title_fullStr |
La figure de la comparaison chez Flaubert |
title_full_unstemmed |
La figure de la comparaison chez Flaubert |
title_sort |
la figure de la comparaison chez flaubert |
publisher |
Institut des Textes & Manuscrits Modernes (ITEM) |
series |
Flaubert: Revue Critique et Génétique |
issn |
1969-6191 |
publishDate |
2014-10-01 |
description |
We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. The evidence shows that, for Flaubert, comparisons constitute both an ironic perspective and a poetic frame. |
url |
http://journals.openedition.org/flaubert/2279 |
work_keys_str_mv |
AT nathaliepetibon lafiguredelacomparaisonchezflaubert |
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1724486375737131008 |