Cartografie di emozioni
Starting from the multifaceted figure of the flâneuse and drawing on the idea of cinema as an “atlas of emotions” suggested by Giuliana Bruno, this essay aims at discussing the body of work of the Italian filmmaker Marina Spada as an example of the mise-en-scène of a changing yet strong feminine id...
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Università degli Studi di Torino
2020-12-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/5437 |
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doaj-69548c3084be44a2baadc9b233f68cea |
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Article |
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doaj-69548c3084be44a2baadc9b233f68cea2021-09-13T19:56:05ZdeuUniversità degli Studi di TorinoCoSMO2281-66582020-12-011710.13135/2281-6658/5437Cartografie di emozioniChiara Tognolotti0Università di Pisa Starting from the multifaceted figure of the flâneuse and drawing on the idea of cinema as an “atlas of emotions” suggested by Giuliana Bruno, this essay aims at discussing the body of work of the Italian filmmaker Marina Spada as an example of the mise-en-scène of a changing yet strong feminine identity, able to redefine the spaces it crosses according to a newly invented geography of feelings. https://www.ojs.unito.it/index.php/COSMO/article/view/5437Gender StudiesFlâneuseItalian Film StudiesMarina SpadaGiuliana BrunoFeminine Identities |
| collection |
DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Chiara Tognolotti |
| spellingShingle |
Chiara Tognolotti Cartografie di emozioni CoSMO Gender Studies Flâneuse Italian Film Studies Marina Spada Giuliana Bruno Feminine Identities |
| author_facet |
Chiara Tognolotti |
| author_sort |
Chiara Tognolotti |
| title |
Cartografie di emozioni |
| title_short |
Cartografie di emozioni |
| title_full |
Cartografie di emozioni |
| title_fullStr |
Cartografie di emozioni |
| title_full_unstemmed |
Cartografie di emozioni |
| title_sort |
cartografie di emozioni |
| publisher |
Università degli Studi di Torino |
| series |
CoSMO |
| issn |
2281-6658 |
| publishDate |
2020-12-01 |
| description |
Starting from the multifaceted figure of the flâneuse and drawing on the idea of cinema as an “atlas of emotions” suggested by Giuliana Bruno, this essay aims at discussing the body of work of the Italian filmmaker Marina Spada as an example of the mise-en-scène of a changing yet strong feminine identity, able to redefine the spaces it crosses according to a newly invented geography of feelings.
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| topic |
Gender Studies Flâneuse Italian Film Studies Marina Spada Giuliana Bruno Feminine Identities |
| url |
https://www.ojs.unito.it/index.php/COSMO/article/view/5437 |
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AT chiaratognolotti cartografiediemozioni |
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1717380302089748480 |