Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea

Critical opinion of verse drama has long considered it to be an outdated and classist form. Yet in the early 21st century, certain dramatists have provided examples of how the form may be subverted not only to expose its privileged history but to provide a context for new lines of ideological enquir...

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Main Author: Harriet MacMillan
Format: Article
Language:English
Published: University of Edinburgh 2016-05-01
Series:Forum
Online Access:http://www.forumjournal.org/article/view/1474
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spelling doaj-694dac156d124468bd9f5549e0abecc82020-11-25T03:26:07ZengUniversity of EdinburghForum1749-97712016-05-01221474Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s MedeaHarriet MacMillan0University of EdinburghCritical opinion of verse drama has long considered it to be an outdated and classist form. Yet in the early 21st century, certain dramatists have provided examples of how the form may be subverted not only to expose its privileged history but to provide a context for new lines of ideological enquiry. This article examines how verse drama has been re-appropriated to serve as a vehicle for socialist and feminist concerns in Liz Lochhead's Medea and Tony Harrison's Prometheus.http://www.forumjournal.org/article/view/1474
collection DOAJ
language English
format Article
sources DOAJ
author Harriet MacMillan
spellingShingle Harriet MacMillan
Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
Forum
author_facet Harriet MacMillan
author_sort Harriet MacMillan
title Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
title_short Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
title_full Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
title_fullStr Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
title_full_unstemmed Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea
title_sort stealing fire: political re-appropriation of verse drama in tony harrison’s prometheus and liz lochhead’s medea
publisher University of Edinburgh
series Forum
issn 1749-9771
publishDate 2016-05-01
description Critical opinion of verse drama has long considered it to be an outdated and classist form. Yet in the early 21st century, certain dramatists have provided examples of how the form may be subverted not only to expose its privileged history but to provide a context for new lines of ideological enquiry. This article examines how verse drama has been re-appropriated to serve as a vehicle for socialist and feminist concerns in Liz Lochhead's Medea and Tony Harrison's Prometheus.
url http://www.forumjournal.org/article/view/1474
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