Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play

The extensive empirical research inspired by Piaget and Vygotsky’s theories of make-believe play has been criticised for restricting data to western, urban, middle-class children. We seek to redress this bias by researching a traditional black South African Pedi children’s game Masekitlana. Our data...

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Main Author: Esther Ofenste Phetlhu
Format: Article
Language:English
Published: AOSIS 2014-07-01
Series:South African Journal of Childhood Education
Subjects:
Online Access:https://sajce.co.za/index.php/sajce/article/view/55
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spelling doaj-6945321ffa444d30a296f0eee1c227962021-02-02T02:00:53ZengAOSISSouth African Journal of Childhood Education2223-76742223-76822014-07-0141e1e2510.4102/sajce.v4i1.5564Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend playEsther Ofenste Phetlhu0University of North-WestThe extensive empirical research inspired by Piaget and Vygotsky’s theories of make-believe play has been criticised for restricting data to western, urban, middle-class children. We seek to redress this bias by researching a traditional black South African Pedi children’s game Masekitlana. Our data relies on embodied memories enacted by Mapelo (one of the authors), and interviews of two other informants. The analytical framework draws upon ‘emergent methods’ in ethnography such as performance ethnography, autoethnography and memory elicitation through ‘bodynotes’ within a Vygotskyian orientation to play. The findings show that Masekitlana shares features common to all pretend play, but others unique to it  including: i) extended monologue, ii) metacommunicative frames for realistic thinking, and iii) a complex relation between social and solitary play. These findings support Vygotsky. However, ‘the long childhood’ of Masekitlana suggests that the stages theory of Piaget, as well as  Vygotskyian ideas that have come down to us via Cole & Scribner and Valsiner, require revision in the light of Bruner’s two modes of cognition, and Veresov’s reinterpretation of the theatre movement, within which Vygotsky’s central ideas are embedded.https://sajce.co.za/index.php/sajce/article/view/55Masekitlana, Pretend or make-believe play, Performance-ethnography, Adult memories, Vygotsky’s theory of play, Autoethnography
collection DOAJ
language English
format Article
sources DOAJ
author Esther Ofenste Phetlhu
spellingShingle Esther Ofenste Phetlhu
Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
South African Journal of Childhood Education
Masekitlana, Pretend or make-believe play, Performance-ethnography, Adult memories, Vygotsky’s theory of play, Autoethnography
author_facet Esther Ofenste Phetlhu
author_sort Esther Ofenste Phetlhu
title Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
title_short Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
title_full Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
title_fullStr Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
title_full_unstemmed Masekitlana re-membered: A performance-based ethnography of South African black children’s pretend play
title_sort masekitlana re-membered: a performance-based ethnography of south african black children’s pretend play
publisher AOSIS
series South African Journal of Childhood Education
issn 2223-7674
2223-7682
publishDate 2014-07-01
description The extensive empirical research inspired by Piaget and Vygotsky’s theories of make-believe play has been criticised for restricting data to western, urban, middle-class children. We seek to redress this bias by researching a traditional black South African Pedi children’s game Masekitlana. Our data relies on embodied memories enacted by Mapelo (one of the authors), and interviews of two other informants. The analytical framework draws upon ‘emergent methods’ in ethnography such as performance ethnography, autoethnography and memory elicitation through ‘bodynotes’ within a Vygotskyian orientation to play. The findings show that Masekitlana shares features common to all pretend play, but others unique to it  including: i) extended monologue, ii) metacommunicative frames for realistic thinking, and iii) a complex relation between social and solitary play. These findings support Vygotsky. However, ‘the long childhood’ of Masekitlana suggests that the stages theory of Piaget, as well as  Vygotskyian ideas that have come down to us via Cole & Scribner and Valsiner, require revision in the light of Bruner’s two modes of cognition, and Veresov’s reinterpretation of the theatre movement, within which Vygotsky’s central ideas are embedded.
topic Masekitlana, Pretend or make-believe play, Performance-ethnography, Adult memories, Vygotsky’s theory of play, Autoethnography
url https://sajce.co.za/index.php/sajce/article/view/55
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