Stitching the Gaze: Meaning and Affect in Caroline McQuarrie’s Swerve
Western art history has long been centred around sign-based readings. In the last few decades, theories of affect and embodiment have begun to challenge this ocularcentrism, bringing the spectator’s body into the equation. This article will focus on New Zealand artist Caroline McQuarrie’s (1975-) se...
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| Format: | Article |
| Language: | English |
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Universidad de Los Andes
2020-01-01
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| Series: | Hart |
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| Online Access: | https://revistas.uniandes.edu.co/doi/full/10.25025/hart06.2020.06 |