La criada «que hurtó la taça o perdió el anillo»: Alfonso X, Fernando de Rojas, Lope de Rueda
Alfonso X’s Cantiga 212, an episode of Fernando de Rojas’ La Celestina, Lope de Rueda’s the Tenth Paso, are inspired by the literary topos of the servants that are accused of robbing their masters. This paper analyses the old and international tradition of this type of narrative, whose roots and par...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Mirail
2011-11-01
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| Series: | Criticón |
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| Online Access: | http://journals.openedition.org/criticon/2311 |
| Summary: | Alfonso X’s Cantiga 212, an episode of Fernando de Rojas’ La Celestina, Lope de Rueda’s the Tenth Paso, are inspired by the literary topos of the servants that are accused of robbing their masters. This paper analyses the old and international tradition of this type of narrative, whose roots and parallels may be found in folklore, literature, opera, cinema, comic. |
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| ISSN: | 0247-381X |