Cinema, arte e temporalità nella Montagna incantata. Bioscopia: un capitolo trascurato dell’estetizzazione della politica
Moving from the «Cinema-scene» of the fifth chapter of the novel <em>Der Zauberberg</em> by Thomas Mann, the essay aims to tackle the whole relation between the German novelist and the cinema. The subject is handled in the light of the Walter Benjamin’s artwork-essay and of its analys...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2012-05-01
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| Series: | Aisthesis |
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| Online Access: | http://www.fupress.net/index.php/aisthesis/article/view/10958 |
| Summary: | Moving from the «Cinema-scene» of the fifth chapter of the novel <em>Der Zauberberg</em> by Thomas Mann, the essay aims to tackle the whole relation between the German novelist and the cinema. The subject is handled in the light of the Walter Benjamin’s artwork-essay and of its analysis of the relation between cinema, fascism and aestheticization of politics. The thesis of the author is that the emerging of the cinema has established a new political and symbolical dimension of the relation between art, technique and ‘magic’. |
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| ISSN: | 2035-8466 |