Spaniwood? English Language Spanish Films since the 1990s

Is there such a thing as “Spanish identity”? If so, what are the characteristics that best define it? Since the early 1990s we have observed a movement toward young Spanish directors interested in making a different kind of cinema that departs markedly from the lighthearted landismo of the 70s and...

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Main Author: Cristina Sánchez-Conejero
Format: Article
Language:English
Published: New Prairie Press 2009-06-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol33/iss2/8
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spelling doaj-68775e56d2674e0380ec49f2e4fd7c282020-11-24T22:15:48ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152009-06-0133210.4148/2334-4415.17055749573Spaniwood? English Language Spanish Films since the 1990sCristina Sánchez-ConejeroIs there such a thing as “Spanish identity”? If so, what are the characteristics that best define it? Since the early 1990s we have observed a movement toward young Spanish directors interested in making a different kind of cinema that departs markedly from the lighthearted landismo of the 70s and, later, the indulgent almodovarismo of the 80s. These new directors—as well as producers and actors—are interested in reaching out to wider audiences, in and outside of Spain. The internationalization they pursue comes, in many cases, with an adoption of the English language in their works. This multicultural cinema presents a dilemma: what characteristics define a “Spanish” movie? This study explores and argues for the use of the terms “world cinema” and “glocal cinema” in favor of outdated notions of “national cinema” while pointing out the need for defining clear notions of the new, plural and inclusive forms of Spanishness evident in films today.http://newprairiepress.org/sttcl/vol33/iss2/8
collection DOAJ
language English
format Article
sources DOAJ
author Cristina Sánchez-Conejero
spellingShingle Cristina Sánchez-Conejero
Spaniwood? English Language Spanish Films since the 1990s
Studies in 20th & 21st Century Literature
author_facet Cristina Sánchez-Conejero
author_sort Cristina Sánchez-Conejero
title Spaniwood? English Language Spanish Films since the 1990s
title_short Spaniwood? English Language Spanish Films since the 1990s
title_full Spaniwood? English Language Spanish Films since the 1990s
title_fullStr Spaniwood? English Language Spanish Films since the 1990s
title_full_unstemmed Spaniwood? English Language Spanish Films since the 1990s
title_sort spaniwood? english language spanish films since the 1990s
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 2009-06-01
description Is there such a thing as “Spanish identity”? If so, what are the characteristics that best define it? Since the early 1990s we have observed a movement toward young Spanish directors interested in making a different kind of cinema that departs markedly from the lighthearted landismo of the 70s and, later, the indulgent almodovarismo of the 80s. These new directors—as well as producers and actors—are interested in reaching out to wider audiences, in and outside of Spain. The internationalization they pursue comes, in many cases, with an adoption of the English language in their works. This multicultural cinema presents a dilemma: what characteristics define a “Spanish” movie? This study explores and argues for the use of the terms “world cinema” and “glocal cinema” in favor of outdated notions of “national cinema” while pointing out the need for defining clear notions of the new, plural and inclusive forms of Spanishness evident in films today.
url http://newprairiepress.org/sttcl/vol33/iss2/8
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