Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
Though human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively...
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2011-10-01
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Series: | i-Perception |
Online Access: | https://doi.org/10.1068/ic813 |
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doaj-6868856a893c4630a80e2ff86be868632020-11-25T01:27:14ZengSAGE Publishingi-Perception2041-66952011-10-01210.1068/ic81310.1068_ic813Cross-Modal Perception in the Framework of Non-Riemannian Sensory SpaceMasaru Shimbo0Jun Toyama1Masashi Shimbo2RetiredHokkaido UniversityNara Institute of Science and TechnologyThough human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively by differential geometry[4]. We interpreted the parallel alley and the distance alley as two geodesics under different conditions in a visual space, and depicted the trace of continuous vowel speech as the geodesics through phonemes on a vowel plane. In this work, cross-modal perception is similarly treated from the standpoint of non-Riemannian geometry, where each axis of a cross-modal sensory space represents unimodal sensation. The geometry allows us to treat asymmetric metric tensor and hence a non-Euclidean concept of anholonomic objects, representing unidirectional property of cross-modal perception. The McGurk effect in audiovisual perception[5] and ‘rubber hand’ illusion in visual tactile perception[6] can afford experimental evidence of torsion tensor. The origin of ‘bouncing balls’ illusion[7] is discussed from the standpoint of an audiovisual cross-modal sensory space in a qualitative manner.https://doi.org/10.1068/ic813 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Masaru Shimbo Jun Toyama Masashi Shimbo |
spellingShingle |
Masaru Shimbo Jun Toyama Masashi Shimbo Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space i-Perception |
author_facet |
Masaru Shimbo Jun Toyama Masashi Shimbo |
author_sort |
Masaru Shimbo |
title |
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space |
title_short |
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space |
title_full |
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space |
title_fullStr |
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space |
title_full_unstemmed |
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space |
title_sort |
cross-modal perception in the framework of non-riemannian sensory space |
publisher |
SAGE Publishing |
series |
i-Perception |
issn |
2041-6695 |
publishDate |
2011-10-01 |
description |
Though human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively by differential geometry[4]. We interpreted the parallel alley and the distance alley as two geodesics under different conditions in a visual space, and depicted the trace of continuous vowel speech as the geodesics through phonemes on a vowel plane. In this work, cross-modal perception is similarly treated from the standpoint of non-Riemannian geometry, where each axis of a cross-modal sensory space represents unimodal sensation. The geometry allows us to treat asymmetric metric tensor and hence a non-Euclidean concept of anholonomic objects, representing unidirectional property of cross-modal perception. The McGurk effect in audiovisual perception[5] and ‘rubber hand’ illusion in visual tactile perception[6] can afford experimental evidence of torsion tensor. The origin of ‘bouncing balls’ illusion[7] is discussed from the standpoint of an audiovisual cross-modal sensory space in a qualitative manner. |
url |
https://doi.org/10.1068/ic813 |
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