Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space

Though human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively...

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Main Authors: Masaru Shimbo, Jun Toyama, Masashi Shimbo
Format: Article
Language:English
Published: SAGE Publishing 2011-10-01
Series:i-Perception
Online Access:https://doi.org/10.1068/ic813
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spelling doaj-6868856a893c4630a80e2ff86be868632020-11-25T01:27:14ZengSAGE Publishingi-Perception2041-66952011-10-01210.1068/ic81310.1068_ic813Cross-Modal Perception in the Framework of Non-Riemannian Sensory SpaceMasaru Shimbo0Jun Toyama1Masashi Shimbo2RetiredHokkaido UniversityNara Institute of Science and TechnologyThough human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively by differential geometry[4]. We interpreted the parallel alley and the distance alley as two geodesics under different conditions in a visual space, and depicted the trace of continuous vowel speech as the geodesics through phonemes on a vowel plane. In this work, cross-modal perception is similarly treated from the standpoint of non-Riemannian geometry, where each axis of a cross-modal sensory space represents unimodal sensation. The geometry allows us to treat asymmetric metric tensor and hence a non-Euclidean concept of anholonomic objects, representing unidirectional property of cross-modal perception. The McGurk effect in audiovisual perception[5] and ‘rubber hand’ illusion in visual tactile perception[6] can afford experimental evidence of torsion tensor. The origin of ‘bouncing balls’ illusion[7] is discussed from the standpoint of an audiovisual cross-modal sensory space in a qualitative manner.https://doi.org/10.1068/ic813
collection DOAJ
language English
format Article
sources DOAJ
author Masaru Shimbo
Jun Toyama
Masashi Shimbo
spellingShingle Masaru Shimbo
Jun Toyama
Masashi Shimbo
Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
i-Perception
author_facet Masaru Shimbo
Jun Toyama
Masashi Shimbo
author_sort Masaru Shimbo
title Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
title_short Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
title_full Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
title_fullStr Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
title_full_unstemmed Cross-Modal Perception in the Framework of Non-Riemannian Sensory Space
title_sort cross-modal perception in the framework of non-riemannian sensory space
publisher SAGE Publishing
series i-Perception
issn 2041-6695
publishDate 2011-10-01
description Though human sensations, such as the senses of hearing, sight, etc., are independent each other, the interference between two of them is sometimes observed, and is called cross-modal perception[1]. Hitherto we studied unimodal perception of visual sensation[2] and auditory sensation[3] respectively by differential geometry[4]. We interpreted the parallel alley and the distance alley as two geodesics under different conditions in a visual space, and depicted the trace of continuous vowel speech as the geodesics through phonemes on a vowel plane. In this work, cross-modal perception is similarly treated from the standpoint of non-Riemannian geometry, where each axis of a cross-modal sensory space represents unimodal sensation. The geometry allows us to treat asymmetric metric tensor and hence a non-Euclidean concept of anholonomic objects, representing unidirectional property of cross-modal perception. The McGurk effect in audiovisual perception[5] and ‘rubber hand’ illusion in visual tactile perception[6] can afford experimental evidence of torsion tensor. The origin of ‘bouncing balls’ illusion[7] is discussed from the standpoint of an audiovisual cross-modal sensory space in a qualitative manner.
url https://doi.org/10.1068/ic813
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