Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro

In this essay I explore the feminist aspects of Puesta en claro , written in 1974, when Griselda Gambaro was not yet considered a writer who paid attention to feminine issues. Yet to the extent that Gambaro always focuses on the constellation of problems relating to power relations, she is includin...

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Main Author: Sandra Cypess
Format: Article
Language:English
Published: New Prairie Press 1996-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol20/iss1/7
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spelling doaj-68425bcde1e440898ef253456a64a0f52020-11-24T23:09:36ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151996-01-0120110.4148/2334-4415.13835645009Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claroSandra CypessIn this essay I explore the feminist aspects of Puesta en claro , written in 1974, when Griselda Gambaro was not yet considered a writer who paid attention to feminine issues. Yet to the extent that Gambaro always focuses on the constellation of problems relating to power relations, she is including feminine and feminist issues in her text, and continues a tradition many critics relate to Sor Juana Inés de la Cruz, as I shall argue in my conclusion. Seen within the trajectory of Gambaro's dramaturgy, Puesta en claro , as a play from the 1970s is also remarkable in showing a change in the typical pattern of victimization for her characters. Her audience sees that it is possible for the victims to renounce their passivity and rebel. Moreover, she embodies that message in the sign of a blind, apparently defenseless, domesticated, dominated woman. I suggest that in the creation of the blind woman Gambaro comments on the significance of the male gaze, not as an inherent attribute, but as a controlling agent derived from the patriarchal system. She also shows that the private spaces of the domestic sphere to which women are relegated within the patriarchy can be reconstituted as a site of power.http://newprairiepress.org/sttcl/vol20/iss1/7
collection DOAJ
language English
format Article
sources DOAJ
author Sandra Cypess
spellingShingle Sandra Cypess
Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
Studies in 20th & 21st Century Literature
author_facet Sandra Cypess
author_sort Sandra Cypess
title Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
title_short Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
title_full Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
title_fullStr Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
title_full_unstemmed Dramatic Strategies Made Clear: The Feminist Politics in Griselda Gambaro's Puesta en claro
title_sort dramatic strategies made clear: the feminist politics in griselda gambaro's puesta en claro
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 1996-01-01
description In this essay I explore the feminist aspects of Puesta en claro , written in 1974, when Griselda Gambaro was not yet considered a writer who paid attention to feminine issues. Yet to the extent that Gambaro always focuses on the constellation of problems relating to power relations, she is including feminine and feminist issues in her text, and continues a tradition many critics relate to Sor Juana Inés de la Cruz, as I shall argue in my conclusion. Seen within the trajectory of Gambaro's dramaturgy, Puesta en claro , as a play from the 1970s is also remarkable in showing a change in the typical pattern of victimization for her characters. Her audience sees that it is possible for the victims to renounce their passivity and rebel. Moreover, she embodies that message in the sign of a blind, apparently defenseless, domesticated, dominated woman. I suggest that in the creation of the blind woman Gambaro comments on the significance of the male gaze, not as an inherent attribute, but as a controlling agent derived from the patriarchal system. She also shows that the private spaces of the domestic sphere to which women are relegated within the patriarchy can be reconstituted as a site of power.
url http://newprairiepress.org/sttcl/vol20/iss1/7
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