KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA

ABSTRACT This article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, de...

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Main Author: Muhammad Hendra Himawan
Format: Article
Language:Indonesian
Published: Institut Seni Indonesia (ISI) Surakarta 2018-10-01
Series:Brikolase
Online Access:https://jurnal.isi-ska.ac.id/index.php/brikolase/article/view/2177
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spelling doaj-67f5d89c95104b749ad95e17757a9b812020-11-24T21:51:08ZindInstitut Seni Indonesia (ISI) SurakartaBrikolase2087-07952622-06522018-10-0110110.33153/bri.v10i1.21772030KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTAMuhammad Hendra Himawan0Fakultas Seni Rupa dan Desain ISI SurakartaABSTRACT This article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, development of image and power and contact with social discourse that develops in society. From the qualitative method of the Slamet Riyadi Statue on Jalan Slamet Riyadi, the Major Achmadi Statue in the Banjarsari Lima Proximity (Proliman), 45 Banjarsari Monument Statue (Serangan 4 Hari Monument in Surakarta) is located in Banjarsari Park, and the Statue Soekarno at Manahan Sports Complex, Surakarta, found that the existence of the statue was a proof of how the symbolic system was carried out to legitimize power by government authorities. Various forms of work that illustrate the dominance of militaristic icons compared to civilian icons, which shows how the quo vadis of military-civil relations are explicit and implied. Furthermore, this research found evidence that so far there have been a lot of public space sculptural works that do not idolize the public's need for living space. Symbolic power practices are continuously echoed through a system of visual language and symbolization that shows how power sneaks under the conscious space of society. The community is not aware of how the power system stands and hides behind these sculptures of public space, whatever the reason for their establishment; inheritance of nationalism, development of moral values, even ideology.                                                                                                                           Keywords: history, public space sculpture, symbolic of power, Surakarta Cityhttps://jurnal.isi-ska.ac.id/index.php/brikolase/article/view/2177
collection DOAJ
language Indonesian
format Article
sources DOAJ
author Muhammad Hendra Himawan
spellingShingle Muhammad Hendra Himawan
KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
Brikolase
author_facet Muhammad Hendra Himawan
author_sort Muhammad Hendra Himawan
title KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
title_short KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
title_full KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
title_fullStr KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
title_full_unstemmed KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA
title_sort kuasa simbolik patung ruang publik : studi kasus di wilayah kota surakarta
publisher Institut Seni Indonesia (ISI) Surakarta
series Brikolase
issn 2087-0795
2622-0652
publishDate 2018-10-01
description ABSTRACT This article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, development of image and power and contact with social discourse that develops in society. From the qualitative method of the Slamet Riyadi Statue on Jalan Slamet Riyadi, the Major Achmadi Statue in the Banjarsari Lima Proximity (Proliman), 45 Banjarsari Monument Statue (Serangan 4 Hari Monument in Surakarta) is located in Banjarsari Park, and the Statue Soekarno at Manahan Sports Complex, Surakarta, found that the existence of the statue was a proof of how the symbolic system was carried out to legitimize power by government authorities. Various forms of work that illustrate the dominance of militaristic icons compared to civilian icons, which shows how the quo vadis of military-civil relations are explicit and implied. Furthermore, this research found evidence that so far there have been a lot of public space sculptural works that do not idolize the public's need for living space. Symbolic power practices are continuously echoed through a system of visual language and symbolization that shows how power sneaks under the conscious space of society. The community is not aware of how the power system stands and hides behind these sculptures of public space, whatever the reason for their establishment; inheritance of nationalism, development of moral values, even ideology.                                                                                                                           Keywords: history, public space sculpture, symbolic of power, Surakarta City
url https://jurnal.isi-ska.ac.id/index.php/brikolase/article/view/2177
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