Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction

The present study seeks to explore some of the major assumptions made by cognitive linguists regarding language in an attempt to see how various language processes can participate in the emergence of literary meaning. Also, this is an attempt to bridge the gap between linguistics and literary studie...

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Main Author: Gabriela Tucan
Format: Article
Language:deu
Published: Università degli Studi di Milano 2013-06-01
Series:Enthymema
Subjects:
Online Access:https://riviste.unimi.it/index.php/enthymema/article/view/2949
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spelling doaj-6756d496de5c405c829e1bf9ce6902a22020-11-25T00:36:22ZdeuUniversità degli Studi di MilanoEnthymema2037-24262013-06-0108385510.13130/2037-2426/29492681Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary FictionGabriela Tucan0West University of TimisoaraThe present study seeks to explore some of the major assumptions made by cognitive linguists regarding language in an attempt to see how various language processes can participate in the emergence of literary meaning. Also, this is an attempt to bridge the gap between linguistics and literary studies. For that purpose, linguistic work with a cognitive orientation can open the floor to one highly debatable question in critical literary theory: the question of interpretation. The primary step in order to meet my objectives is the presentation of a model of analysis that investigates the processes of meaning formation in literary texts – the theory of blending seems to be extremely suitable for an account of meaning formation. I believe that my article can profit substantially from the wide array of instruments provided by the blending theory in order to understand the nature of the reader’s mind while reading literary (short) stories. The study of the basic mental operation of blending is motivated by the general relationship of cognitive poetics and narrative theories. To this end, I will be extensively making use of the blending framework in order to address its narrative implications in two of Hemingway’s already canonical short stories – Big Two-Hearted River and Soldier’s Home. What I hope to demonstrate is that the conceptualization of the narrative mental spaces in these two short stories always has counterfactuality available and uses it as a valuable mental resource. Also, I will try to show that conceptual integration/ blending plays a central role in the self-construal of characters’ identity.https://riviste.unimi.it/index.php/enthymema/article/view/2949Blendingcognitive poeticscharacter identitynarrative mental spacesshort story
collection DOAJ
language deu
format Article
sources DOAJ
author Gabriela Tucan
spellingShingle Gabriela Tucan
Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
Enthymema
Blending
cognitive poetics
character identity
narrative mental spaces
short story
author_facet Gabriela Tucan
author_sort Gabriela Tucan
title Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
title_short Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
title_full Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
title_fullStr Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
title_full_unstemmed Cognitive Poetics: Blending Narrative Mental Spaces. Self-Construal and Identity in Short Literary Fiction
title_sort cognitive poetics: blending narrative mental spaces. self-construal and identity in short literary fiction
publisher Università degli Studi di Milano
series Enthymema
issn 2037-2426
publishDate 2013-06-01
description The present study seeks to explore some of the major assumptions made by cognitive linguists regarding language in an attempt to see how various language processes can participate in the emergence of literary meaning. Also, this is an attempt to bridge the gap between linguistics and literary studies. For that purpose, linguistic work with a cognitive orientation can open the floor to one highly debatable question in critical literary theory: the question of interpretation. The primary step in order to meet my objectives is the presentation of a model of analysis that investigates the processes of meaning formation in literary texts – the theory of blending seems to be extremely suitable for an account of meaning formation. I believe that my article can profit substantially from the wide array of instruments provided by the blending theory in order to understand the nature of the reader’s mind while reading literary (short) stories. The study of the basic mental operation of blending is motivated by the general relationship of cognitive poetics and narrative theories. To this end, I will be extensively making use of the blending framework in order to address its narrative implications in two of Hemingway’s already canonical short stories – Big Two-Hearted River and Soldier’s Home. What I hope to demonstrate is that the conceptualization of the narrative mental spaces in these two short stories always has counterfactuality available and uses it as a valuable mental resource. Also, I will try to show that conceptual integration/ blending plays a central role in the self-construal of characters’ identity.
topic Blending
cognitive poetics
character identity
narrative mental spaces
short story
url https://riviste.unimi.it/index.php/enthymema/article/view/2949
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