Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of...
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Inst. Patrimoniului Cultural (IPC)
2017-12-01
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Series: | Revista de Etnologie şi Culturologie |
Online Access: | https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view |
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doaj-674a1d5eaa67411aa5b2fa816572d6ba2020-11-24T21:34:34ZengInst. Patrimoniului Cultural (IPC)Revista de Etnologie şi Culturologie1857-20492537-61522017-12-01XXII124128Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of different types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign enemy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view |
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English |
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When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas. |
spellingShingle |
When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas. Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” Revista de Etnologie şi Culturologie |
author_facet |
When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas. |
author_sort |
When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas. |
title |
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” |
title_short |
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” |
title_full |
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” |
title_fullStr |
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” |
title_full_unstemmed |
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca” |
title_sort |
conflictul artistic ca factor generator de subiect în trilogia lui vasilii diubin „anca” |
publisher |
Inst. Patrimoniului Cultural (IPC) |
series |
Revista de Etnologie şi Culturologie |
issn |
1857-2049 2537-6152 |
publishDate |
2017-12-01 |
description |
When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of the main plot-forming conflict.
The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of different types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external”
conflicts by changing the social formation. The article
notes that citing on novel’s form, Vasiliy Diubin raises
the problems inherent that time: the becoming of a new
socio-economic system, the formation of a new way of
farming, the defense of the fatherland from a foreign enemy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas. |
url |
https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view |
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