Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”

When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of...

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Main Author: When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
Format: Article
Language:English
Published: Inst. Patrimoniului Cultural (IPC) 2017-12-01
Series:Revista de Etnologie şi Culturologie
Online Access:https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view
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spelling doaj-674a1d5eaa67411aa5b2fa816572d6ba2020-11-24T21:34:34ZengInst. Patrimoniului Cultural (IPC)Revista de Etnologie şi Culturologie1857-20492537-61522017-12-01XXII124128Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of different types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign enemy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view
collection DOAJ
language English
format Article
sources DOAJ
author When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
spellingShingle When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
Revista de Etnologie şi Culturologie
author_facet When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
author_sort When investigating the novel’s system of one or an- other writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the develop- ment and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of dif- ferent types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign en- emy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
title Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
title_short Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
title_full Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
title_fullStr Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
title_full_unstemmed Conflictul artistic ca factor generator de subiect în trilogia lui Vasilii Diubin „Anca”
title_sort conflictul artistic ca factor generator de subiect în trilogia lui vasilii diubin „anca”
publisher Inst. Patrimoniului Cultural (IPC)
series Revista de Etnologie şi Culturologie
issn 1857-2049
2537-6152
publishDate 2017-12-01
description When investigating the novel’s system of one or another writer, main themes of his works can be pointed out, to understand what problems inherent that time the writer describes. In this article, relying on Vasily Dubin’s novel trilogy “Anka”, the author investigates the development and resolution of the main plot-forming conflict. The author proves that in trilogy of Vasiliy Diubin “Anca” the main plot-forming conflict is interpersonal artistic conflict caused by different ideological positions of the heroes. In all trilogy works (“Bronzovaea Kosa”, “Shtorm” and “Seinery uhodeat v more”) the combination of different types of secondary conflicts (poly-conflicts) are presented: military, social, ideological, love and others. In this research, when investigating the artistic conflict shown in trilogy of Vasiliy Diubin “Anka”, the author of article shows conditionality of “internal” and “external” conflicts by changing the social formation. The article notes that citing on novel’s form, Vasiliy Diubin raises the problems inherent that time: the becoming of a new socio-economic system, the formation of a new way of farming, the defense of the fatherland from a foreign enemy. So, as studies show the real events and conflicts that took the form of an artistic conflict in the novel play the role of the exponent of author’s ideas.
url https://drive.google.com/file/d/0B_MPkqI9kqE1cEthSURUb0hGN0k/view
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