The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century

The funeral chapel of Alonso Gutiérrez, Treasurer of Emperor Carlos V, was one of important artistic works that he promoted in the last stage of his life in Madrid and were continued by his wife Maria de Pisa, all of relevance in the local context of the moment although the most part of them today d...

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Main Author: M. Ángeles Toajas Roger
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2005-12-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/32292
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spelling doaj-66fa0585af7e426da3e622c73ca1fb3a2020-11-25T02:38:16ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912005-12-01158712532287The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th centuryM. Ángeles Toajas RogerThe funeral chapel of Alonso Gutiérrez, Treasurer of Emperor Carlos V, was one of important artistic works that he promoted in the last stage of his life in Madrid and were continued by his wife Maria de Pisa, all of relevance in the local context of the moment although the most part of them today disappeared. Counting on unpublished primary sources, and taking advantage as well-known documentation, the biographical news of both is contributed, characterizing their condition of members of the high Hispanic bourgeoisie of 16th century, coming from jewish christianized families (conversos); at the same time, is deepened the knowledge of this work, constructed in the Monastery of San Martin between 1535 and 1543, that had their sculptured tombs and a great altarpiece of Diego de Urbina ordered in 1570, to value it as significant of their own artistic interests, but also of the uses of art in the Spain of Renaissance.http://revistasculturales.ucm.es/index.php/ANHA/article/view/32292patronazgo artísticoespañafuentes históricasalonso gutiérrez de madridmaría de pisajudeoconversosrenacimientoarquitecturaesculturapinturaarte funerariomadridmonasterio de san martínmonasterio de las descalzas realesdiego de urbina
collection DOAJ
language English
format Article
sources DOAJ
author M. Ángeles Toajas Roger
spellingShingle M. Ángeles Toajas Roger
The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
Anales de Historia del Arte
patronazgo artístico
españa
fuentes históricas
alonso gutiérrez de madrid
maría de pisa
judeoconversos
renacimiento
arquitectura
escultura
pintura
arte funerario
madrid
monasterio de san martín
monasterio de las descalzas reales
diego de urbina
author_facet M. Ángeles Toajas Roger
author_sort M. Ángeles Toajas Roger
title The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
title_short The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
title_full The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
title_fullStr The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
title_full_unstemmed The treasurer Alonso Gutierrez and his chapel in San Martin. Notes and documents on artistic patronage in Madrid of 16th century
title_sort treasurer alonso gutierrez and his chapel in san martin. notes and documents on artistic patronage in madrid of 16th century
publisher Universidad Complutense de Madrid
series Anales de Historia del Arte
issn 0214-6452
1988-2491
publishDate 2005-12-01
description The funeral chapel of Alonso Gutiérrez, Treasurer of Emperor Carlos V, was one of important artistic works that he promoted in the last stage of his life in Madrid and were continued by his wife Maria de Pisa, all of relevance in the local context of the moment although the most part of them today disappeared. Counting on unpublished primary sources, and taking advantage as well-known documentation, the biographical news of both is contributed, characterizing their condition of members of the high Hispanic bourgeoisie of 16th century, coming from jewish christianized families (conversos); at the same time, is deepened the knowledge of this work, constructed in the Monastery of San Martin between 1535 and 1543, that had their sculptured tombs and a great altarpiece of Diego de Urbina ordered in 1570, to value it as significant of their own artistic interests, but also of the uses of art in the Spain of Renaissance.
topic patronazgo artístico
españa
fuentes históricas
alonso gutiérrez de madrid
maría de pisa
judeoconversos
renacimiento
arquitectura
escultura
pintura
arte funerario
madrid
monasterio de san martín
monasterio de las descalzas reales
diego de urbina
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/32292
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