Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky

The article is devoted to the genre of arrangement of choral folk songs in the works of Ukrainian composer Mikhail Hayvoronsky (1892–1949). The relevance of the study has been inspired by the growing attention of art critics, folklorists and choral conductors to the little-known in Ukraine works of...

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Main Author: Hanna Karas
Format: Article
Language:English
Published: KNUKiM Publishing Centre 2018-06-01
Series:Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво
Subjects:
Online Access:http://musical-art.knukim.edu.ua/article/view/140570
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spelling doaj-668fd4f8dae34cee8d9a6495ae53d5562020-11-25T01:35:44ZengKNUKiM Publishing CentreВісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво2616-75812617-40302018-06-0101455610.31866/2616-7581.1.2018.140570140570Arrangement of Choral Folk Songs in the Works of Mikhail HayvoronskyHanna Karas0ДВНЗ «Прикарпатський національний університет імені Василя Стефаника»The article is devoted to the genre of arrangement of choral folk songs in the works of Ukrainian composer Mikhail Hayvoronsky (1892–1949). The relevance of the study has been inspired by the growing attention of art critics, folklorists and choral conductors to the little-known in Ukraine works of diaspora composers. The purpose of the article is to draw attention and get acquainted with Mikhail Haivoronsky’s cultural heritage as one of the outstanding Ukrainian living in the USA. The works of the composer were studied by diaspora musicologists (Vasyl Vytvitsky, Roman Prydatkevich, Antin Rudnytsky, Fedir Steshko) as well as Ukrainian experts (Boris Kudryk, Ksenia Kolessa). It was emphasized that the folkloristic work of famous ethnomusicologists, folklore collections and correspondence with famous folk music experts have provided the foundation for the work of Mikhail Haivoronsky. The composer has worked out folklore samples of the representatives of various ethnographic regions of Ukraine as well as Slavic (Belarusian, Croatian), American and Canadian peoples. Mikhail Haivoronsky’s innovations in the field of arrangements of folk song for choral performance find expression in the establishments of the choral course, precedence in Hutsul folklore, appliance of sound imaging (imitation of church bells in carols), development of Ukrainian national music style, and formation of the individual composer style. The high artistic level of Mihail Haivoronsky’s arrangements confirms their foregrounding in the performing practice of Ukrainian and Belarusian choirs and in the publications in foreign collected works. His evolutionary development as a composer and the importance of his creative contribution to the treasury of Ukrainian choral music has been emphasized.http://musical-art.knukim.edu.ua/article/view/140570народна пісняхорова обробкафольклоркомпозитормихайло гайворонський
collection DOAJ
language English
format Article
sources DOAJ
author Hanna Karas
spellingShingle Hanna Karas
Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво
народна пісня
хорова обробка
фольклор
композитор
михайло гайворонський
author_facet Hanna Karas
author_sort Hanna Karas
title Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
title_short Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
title_full Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
title_fullStr Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
title_full_unstemmed Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky
title_sort arrangement of choral folk songs in the works of mikhail hayvoronsky
publisher KNUKiM Publishing Centre
series Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво
issn 2616-7581
2617-4030
publishDate 2018-06-01
description The article is devoted to the genre of arrangement of choral folk songs in the works of Ukrainian composer Mikhail Hayvoronsky (1892–1949). The relevance of the study has been inspired by the growing attention of art critics, folklorists and choral conductors to the little-known in Ukraine works of diaspora composers. The purpose of the article is to draw attention and get acquainted with Mikhail Haivoronsky’s cultural heritage as one of the outstanding Ukrainian living in the USA. The works of the composer were studied by diaspora musicologists (Vasyl Vytvitsky, Roman Prydatkevich, Antin Rudnytsky, Fedir Steshko) as well as Ukrainian experts (Boris Kudryk, Ksenia Kolessa). It was emphasized that the folkloristic work of famous ethnomusicologists, folklore collections and correspondence with famous folk music experts have provided the foundation for the work of Mikhail Haivoronsky. The composer has worked out folklore samples of the representatives of various ethnographic regions of Ukraine as well as Slavic (Belarusian, Croatian), American and Canadian peoples. Mikhail Haivoronsky’s innovations in the field of arrangements of folk song for choral performance find expression in the establishments of the choral course, precedence in Hutsul folklore, appliance of sound imaging (imitation of church bells in carols), development of Ukrainian national music style, and formation of the individual composer style. The high artistic level of Mihail Haivoronsky’s arrangements confirms their foregrounding in the performing practice of Ukrainian and Belarusian choirs and in the publications in foreign collected works. His evolutionary development as a composer and the importance of his creative contribution to the treasury of Ukrainian choral music has been emphasized.
topic народна пісня
хорова обробка
фольклор
композитор
михайло гайворонський
url http://musical-art.knukim.edu.ua/article/view/140570
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