Memorie di un Paese scomparso

The article deals with the issues of recovering the past and collective memory through film, with particular regards to the case of the former Yugoslavia. It examines two recent Balkan documentaries which approach the common Yugoslav past in different ways, two interesting interpretations of the sam...

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Main Author:	Silvia Badon
Format:	Article
Language:	English
Published:	University of Bologna 2015-11-01
Series:	Cinergie
Subjects:	past Yugoslavia documentaries Cinema Komunisto
Online Access:	https://cinergie.unibo.it/article/view/6903

id	doaj-6625dbce9976444b9c264ced32d80c10
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spelling	doaj-6625dbce9976444b9c264ced32d80c102020-11-25T00:47:50ZengUniversity of BolognaCinergie2280-94812015-11-0148324110.6092/issn.2280-9481/69036252Memorie di un Paese scomparsoSilvia Badon0Università degli Studi di Urbino Carlo BoThe article deals with the issues of recovering the past and collective memory through film, with particular regards to the case of the former Yugoslavia. It examines two recent Balkan documentaries which approach the common Yugoslav past in different ways, two interesting interpretations of the same past, intertwining both private and shared dimensions through the filmic language. While Cinema Komunisto by Mila Turajlić depicts a nostalgic portrait of the vanished country, on the other hand in Goli by Tiha Gudac the recovery of the past becomes a way for the re-elaboration of a wounded family memory.https://cinergie.unibo.it/article/view/6903pastYugoslaviadocumentariesCinema Komunisto
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Silvia Badon
spellingShingle	Silvia Badon Memorie di un Paese scomparso Cinergie past Yugoslavia documentaries Cinema Komunisto
author_facet	Silvia Badon
author_sort	Silvia Badon
title	Memorie di un Paese scomparso
title_short	Memorie di un Paese scomparso
title_full	Memorie di un Paese scomparso
title_fullStr	Memorie di un Paese scomparso
title_full_unstemmed	Memorie di un Paese scomparso
title_sort	memorie di un paese scomparso
publisher	University of Bologna
series	Cinergie
issn	2280-9481
publishDate	2015-11-01
description	The article deals with the issues of recovering the past and collective memory through film, with particular regards to the case of the former Yugoslavia. It examines two recent Balkan documentaries which approach the common Yugoslav past in different ways, two interesting interpretations of the same past, intertwining both private and shared dimensions through the filmic language. While Cinema Komunisto by Mila Turajlić depicts a nostalgic portrait of the vanished country, on the other hand in Goli by Tiha Gudac the recovery of the past becomes a way for the re-elaboration of a wounded family memory.
topic	past Yugoslavia documentaries Cinema Komunisto
url	https://cinergie.unibo.it/article/view/6903
work_keys_str_mv	AT silviabadon memoriediunpaesescomparso
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Memorie di un Paese scomparso

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