Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice

For many countries instrumental music tuition in secondary schools is a ubiquitous event that provides situated and personalized instruction in the learning of an instrument. Opportunities and methods through which teachers operate during the COVID-19 outbreak challenged music educators as to how th...

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Main Author: Leon R. de Bruin
Format: Article
Language:English
Published: Frontiers Media S.A. 2021-01-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2020.624717/full
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spelling doaj-66031bd58a754e299470653db24298d42021-01-14T04:38:22ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-01-011110.3389/fpsyg.2020.624717624717Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching PracticeLeon R. de BruinFor many countries instrumental music tuition in secondary schools is a ubiquitous event that provides situated and personalized instruction in the learning of an instrument. Opportunities and methods through which teachers operate during the COVID-19 outbreak challenged music educators as to how they taught, engaged, and interacted with students across online platforms, with alarm over aerosol dispersement a major factor in maintaining online instrumental music tuition even as students returned to “normal” face to face classes. This qualitative study investigated the practices employed by instrumental music educators in secondary schools in Melbourne, Australia, analyzing teacher perspectives to music tuition amidst the restriction of interaction with students remotely via online means. Thematic analysis of the interview transcripts revealed music educational approaches that fostered connection, empathy and receptiveness to relationship-building, guiding students in slower and deeper learner-centered approaches, asserting pedagogical practices that reinforced and promoted interpersonal connectedness in and through musical experience and discovery. These findings provide a framework for how music educators can facilitate connection, motivation and student autonomy generating personal meaning and commitment to music making and the learning relationship, which can translate to significant student learning and value in the learning music. Exploring teachers’ pedagogical practices and behaviors within this dyadic teacher-student relationship is a significant addition to the literature, enabling the consideration of the type of connective behaviors required to stimulate and develop long-term interest in music.https://www.frontiersin.org/articles/10.3389/fpsyg.2020.624717/fullmusic educationpedagogyphenomenologyepocheteaching-learninginterpersonal and communication skills
collection DOAJ
language English
format Article
sources DOAJ
author Leon R. de Bruin
spellingShingle Leon R. de Bruin
Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
Frontiers in Psychology
music education
pedagogy
phenomenology
epoche
teaching-learning
interpersonal and communication skills
author_facet Leon R. de Bruin
author_sort Leon R. de Bruin
title Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
title_short Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
title_full Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
title_fullStr Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
title_full_unstemmed Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice
title_sort instrumental music educators in a covid landscape: a reassertion of relationality and connection in teaching practice
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2021-01-01
description For many countries instrumental music tuition in secondary schools is a ubiquitous event that provides situated and personalized instruction in the learning of an instrument. Opportunities and methods through which teachers operate during the COVID-19 outbreak challenged music educators as to how they taught, engaged, and interacted with students across online platforms, with alarm over aerosol dispersement a major factor in maintaining online instrumental music tuition even as students returned to “normal” face to face classes. This qualitative study investigated the practices employed by instrumental music educators in secondary schools in Melbourne, Australia, analyzing teacher perspectives to music tuition amidst the restriction of interaction with students remotely via online means. Thematic analysis of the interview transcripts revealed music educational approaches that fostered connection, empathy and receptiveness to relationship-building, guiding students in slower and deeper learner-centered approaches, asserting pedagogical practices that reinforced and promoted interpersonal connectedness in and through musical experience and discovery. These findings provide a framework for how music educators can facilitate connection, motivation and student autonomy generating personal meaning and commitment to music making and the learning relationship, which can translate to significant student learning and value in the learning music. Exploring teachers’ pedagogical practices and behaviors within this dyadic teacher-student relationship is a significant addition to the literature, enabling the consideration of the type of connective behaviors required to stimulate and develop long-term interest in music.
topic music education
pedagogy
phenomenology
epoche
teaching-learning
interpersonal and communication skills
url https://www.frontiersin.org/articles/10.3389/fpsyg.2020.624717/full
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