On the good life of disgust. L’ésthetique du stercoraire and the postmodern society
<p><span style="font-family: Times New Roman; font-size: medium;">Starting from a debate which took place at the beginning of the twenty-first century between Jean Clair and Arthur C. Danto, we will focus on the link between art and disgust, because we wish to show what art is...
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Università degli Studi di Milano
2013-12-01
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Series: | Lebenswelt: Aesthetics and Philosophy of Experience |
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doaj-656894726eb04a05973c533fb0dbe2b22020-11-24T22:29:55ZdeuUniversità degli Studi di MilanoLebenswelt: Aesthetics and Philosophy of Experience2240-95992013-12-010310.13130/2240-9599/34843062On the good life of disgust. L’ésthetique du stercoraire and the postmodern societyMarco Tedeschini<p><span style="font-family: Times New Roman; font-size: medium;">Starting from a debate which took place at the beginning of the twenty-first century between Jean Clair and Arthur C. Danto, we will focus on the link between art and disgust, because we wish to show what art is now ‘doing’ with disgust. Our hypothesis is that art is part of the general process of self-reshaping that is underway in today’s capitalist societies. Therefore, by commenting Aurel Kolnai’s phenomenological analysis of disgust, we will gain the tools to try to show how disgust could be a crucial factor in the above process. Finally, we will recall the work of artists such as Pasolini, Nebreda, and McCarthy, in order to suggest how art could use disgust and have an actual political effect by orienting that process. All this is possible, because disgust has to do with the good life.</span></p>http://riviste.unimi.it/index.php/Lebenswelt/article/view/3484 |
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DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Marco Tedeschini |
spellingShingle |
Marco Tedeschini On the good life of disgust. L’ésthetique du stercoraire and the postmodern society Lebenswelt: Aesthetics and Philosophy of Experience |
author_facet |
Marco Tedeschini |
author_sort |
Marco Tedeschini |
title |
On the good life of disgust. L’ésthetique du stercoraire and the postmodern society |
title_short |
On the good life of disgust. L’ésthetique du stercoraire and the postmodern society |
title_full |
On the good life of disgust. L’ésthetique du stercoraire and the postmodern society |
title_fullStr |
On the good life of disgust. L’ésthetique du stercoraire and the postmodern society |
title_full_unstemmed |
On the good life of disgust. L’ésthetique du stercoraire and the postmodern society |
title_sort |
on the good life of disgust. l’ésthetique du stercoraire and the postmodern society |
publisher |
Università degli Studi di Milano |
series |
Lebenswelt: Aesthetics and Philosophy of Experience |
issn |
2240-9599 |
publishDate |
2013-12-01 |
description |
<p><span style="font-family: Times New Roman; font-size: medium;">Starting from a debate which took place at the beginning of the twenty-first century between Jean Clair and Arthur C. Danto, we will focus on the link between art and disgust, because we wish to show what art is now ‘doing’ with disgust. Our hypothesis is that art is part of the general process of self-reshaping that is underway in today’s capitalist societies. Therefore, by commenting Aurel Kolnai’s phenomenological analysis of disgust, we will gain the tools to try to show how disgust could be a crucial factor in the above process. Finally, we will recall the work of artists such as Pasolini, Nebreda, and McCarthy, in order to suggest how art could use disgust and have an actual political effect by orienting that process. All this is possible, because disgust has to do with the good life.</span></p> |
url |
http://riviste.unimi.it/index.php/Lebenswelt/article/view/3484 |
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