Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation

Alan Ball, the critically-acclaimed screenwriter of American Beauty, launched his first series project in 2001 with Six Feet Under. His somber but humorous account of the dysfunctional Fisher family’s life and death in suburban Los Angeles held a fascinating mirror to contemporary American culture,...

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Main Author: Anne-Marie Paquet-Deyris
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2012-05-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/1195
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spelling doaj-64ed98733e3c4cd784139c0616e422002020-11-24T23:06:44ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092012-05-01110.4000/tvseries.1195Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the NationAnne-Marie Paquet-DeyrisAlan Ball, the critically-acclaimed screenwriter of American Beauty, launched his first series project in 2001 with Six Feet Under. His somber but humorous account of the dysfunctional Fisher family’s life and death in suburban Los Angeles held a fascinating mirror to contemporary American culture, ideology and alternative lifestyles. Talking to the Dead, while providing a direct access to the characters’ inner consciousness, allowed the characters to broach all kinds of taboo motifs and notions. When Ball’s latest series True Blood came out on HBO in 2008, the same sense of broken taboos and overstepped limits held the spectator captive. This time, the Dead were talking and fighting back to integrate into human society. Adapted from Charlaine Harris’ “Southern Vampire” collection of books, Ball’s protagonists even as vampires struggling for the Vampire Rights Amendment were only too human, riddled with coming-of-age worries and plain Angst. How then does Alan Ball inscribe the evils of simply living in contemporary America? Which subtle and not so subtle games of echoes unfold between the two widely successful and creative shows?http://journals.openedition.org/tvseries/1195Six Feet UnderTrue BloodBall Alandeathvampireaesthetics
collection DOAJ
language English
format Article
sources DOAJ
author Anne-Marie Paquet-Deyris
spellingShingle Anne-Marie Paquet-Deyris
Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
TV Series
Six Feet Under
True Blood
Ball Alan
death
vampire
aesthetics
author_facet Anne-Marie Paquet-Deyris
author_sort Anne-Marie Paquet-Deyris
title Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
title_short Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
title_full Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
title_fullStr Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
title_full_unstemmed Alan Ball’s California and Louisiana Series, Six Feet Under & True Blood: a Troubled State of the Nation
title_sort alan ball’s california and louisiana series, six feet under & true blood: a troubled state of the nation
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2012-05-01
description Alan Ball, the critically-acclaimed screenwriter of American Beauty, launched his first series project in 2001 with Six Feet Under. His somber but humorous account of the dysfunctional Fisher family’s life and death in suburban Los Angeles held a fascinating mirror to contemporary American culture, ideology and alternative lifestyles. Talking to the Dead, while providing a direct access to the characters’ inner consciousness, allowed the characters to broach all kinds of taboo motifs and notions. When Ball’s latest series True Blood came out on HBO in 2008, the same sense of broken taboos and overstepped limits held the spectator captive. This time, the Dead were talking and fighting back to integrate into human society. Adapted from Charlaine Harris’ “Southern Vampire” collection of books, Ball’s protagonists even as vampires struggling for the Vampire Rights Amendment were only too human, riddled with coming-of-age worries and plain Angst. How then does Alan Ball inscribe the evils of simply living in contemporary America? Which subtle and not so subtle games of echoes unfold between the two widely successful and creative shows?
topic Six Feet Under
True Blood
Ball Alan
death
vampire
aesthetics
url http://journals.openedition.org/tvseries/1195
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