Philosophy as a Kind of Cinema: Introducing Godard and Philosophy
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books. It wasn’t just an image, we all know, for it reflected perfectly in iconic image the more s...
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2010-01-01
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Series: | Journal of French and Francophone Philosophy |
Online Access: | http://jffp.pitt.edu/ojs/index.php/jffp/article/view/209 |
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doaj-6447f295488e4014a756984cf4d2d0ec2020-11-25T00:29:15ZengUniversity Library System, University of PittsburghJournal of French and Francophone Philosophy1936-62802155-11622010-01-011821810.5195/jffp.2010.209196Philosophy as a Kind of Cinema: Introducing Godard and PhilosophyJohn E. Drabinski0Amherst College"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books. It wasn’t just an image, we all know, for it reflected perfectly in iconic image the more substantial revolutionary recklessness with the camera we see from <em>Breathless</em> forward. Filmmaking is never the same after Godard. <em>Images and their sequencing</em> – Godard cloaked them in sunglasses and made them smirk. He made them revolutionary. That’s his <em>thing.</em> And even the older Godard makes for an iconic photograph: rough facial hair, the artist’s glasses, smirk, and important books. His films continue to be unpredictable, compelling, and revolutionary..."http://jffp.pitt.edu/ojs/index.php/jffp/article/view/209 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
John E. Drabinski |
spellingShingle |
John E. Drabinski Philosophy as a Kind of Cinema: Introducing Godard and Philosophy Journal of French and Francophone Philosophy |
author_facet |
John E. Drabinski |
author_sort |
John E. Drabinski |
title |
Philosophy as a Kind of Cinema: Introducing Godard and Philosophy |
title_short |
Philosophy as a Kind of Cinema: Introducing Godard and Philosophy |
title_full |
Philosophy as a Kind of Cinema: Introducing Godard and Philosophy |
title_fullStr |
Philosophy as a Kind of Cinema: Introducing Godard and Philosophy |
title_full_unstemmed |
Philosophy as a Kind of Cinema: Introducing Godard and Philosophy |
title_sort |
philosophy as a kind of cinema: introducing godard and philosophy |
publisher |
University Library System, University of Pittsburgh |
series |
Journal of French and Francophone Philosophy |
issn |
1936-6280 2155-1162 |
publishDate |
2010-01-01 |
description |
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books. It wasn’t just an image, we all know, for it reflected perfectly in iconic image the more substantial revolutionary recklessness with the camera we see from <em>Breathless</em> forward. Filmmaking is never the same after Godard. <em>Images and their sequencing</em> – Godard cloaked them in sunglasses and made them smirk. He made them revolutionary. That’s his <em>thing.</em> And even the older Godard makes for an iconic photograph: rough facial hair, the artist’s glasses, smirk, and important books. His films continue to be unpredictable, compelling, and revolutionary..." |
url |
http://jffp.pitt.edu/ojs/index.php/jffp/article/view/209 |
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