The Aesthetics of Flow and Cut in the Way of Film: Towards Transnational Transfers of East Asian Concepts to Western Film Theory
The general concepts in theorising the aesthetics of film are still rooted in occidental traditions. Thus, thinking about film is dominated by Western terms and aesthetic paradigms—such as “pieces of work”, the representation of reality or regarding the arts as an act o...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-09-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/8/3/119 |