THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART

THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART

The article presents an analysis of the cantata Stabat Mater for mezzo-soprano and organ by Dmitry Kitsenko (2014). The author chose for his work six stanzas of a medieval catholic sequence telling about the crucifixion of Christ and the sufferings of the Mother of God, creating a fused-cyclic four-...

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Main Author: STREZEV, MIHAIL
Format: Article
Language:deu
Published: Notograf Prim 2021-09-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
dmitry kitsenko
cantata
mezzo-soprano
organ
register
stabat mater
Online Access:https://revista.amtap.md/wp-content/files_mf/163008078712.Strezev_CantataStabatMater.pdf
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spelling doaj-63fa41f1b64b41179f3ef21ee0d984af2021-09-06T11:11:21ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-18312021-09-012 (39)8491THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART STREZEV, MIHAIL0Academy of Music, Theatre and Fine ArtsThe article presents an analysis of the cantata Stabat Mater for mezzo-soprano and organ by Dmitry Kitsenko (2014). The author chose for his work six stanzas of a medieval catholic sequence telling about the crucifixion of Christ and the sufferings of the Mother of God, creating a fused-cyclic four-part composition on their basis. The article discusses the content of the poetic text, the structural features and the tonal plan of the parts and of the composition in general, the musical and expressive means. On the basis of the analysis, a conclusion is made about the neoclassical features of the work, which reflects elements of compositional techniques of different eras: from the medieval organum to the baroque homophonic-harmonic prelude. Particularly highlighted is the role of the organ, which performs various functions in the cantata: from the melodic and harmonic support of the soloist's part to the solo constructions - intros, codas, interludes, which, on the one hand, contribute to the division of the composition into sections, and on the other, ensure a thematic connection between them. https://revista.amtap.md/wp-content/files_mf/163008078712.Strezev_CantataStabatMater.pdfdmitry kitsenkocantatamezzo-sopranoorganregisterstabat mater
collection DOAJ
language deu
format Article
sources DOAJ
author STREZEV, MIHAIL
spellingShingle STREZEV, MIHAIL
THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
dmitry kitsenko
cantata
mezzo-soprano
organ
register
stabat mater
author_facet STREZEV, MIHAIL
author_sort STREZEV, MIHAIL
title THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
title_short THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
title_full THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
title_fullStr THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
title_full_unstemmed THE CANTATA STABAT MATER FOR MEZZO-SOPRANO AND ORGAN BY DMITRY KITSENKO: COMPOSITIONAL FEATURES, MUSICAL LANGUAGE, INTERPRETATION OF THE ORGAN PART
title_sort cantata stabat mater for mezzo-soprano and organ by dmitry kitsenko: compositional features, musical language, interpretation of the organ part
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1831
publishDate 2021-09-01
description The article presents an analysis of the cantata Stabat Mater for mezzo-soprano and organ by Dmitry Kitsenko (2014). The author chose for his work six stanzas of a medieval catholic sequence telling about the crucifixion of Christ and the sufferings of the Mother of God, creating a fused-cyclic four-part composition on their basis. The article discusses the content of the poetic text, the structural features and the tonal plan of the parts and of the composition in general, the musical and expressive means. On the basis of the analysis, a conclusion is made about the neoclassical features of the work, which reflects elements of compositional techniques of different eras: from the medieval organum to the baroque homophonic-harmonic prelude. Particularly highlighted is the role of the organ, which performs various functions in the cantata: from the melodic and harmonic support of the soloist's part to the solo constructions - intros, codas, interludes, which, on the one hand, contribute to the division of the composition into sections, and on the other, ensure a thematic connection between them.
topic dmitry kitsenko
cantata
mezzo-soprano
organ
register
stabat mater
url https://revista.amtap.md/wp-content/files_mf/163008078712.Strezev_CantataStabatMater.pdf
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AT strezevmihail cantatastabatmaterformezzosopranoandorganbydmitrykitsenkocompositionalfeaturesmusicallanguageinterpretationoftheorganpart
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