Sympathy–Antipathy in Daniel Deronda
This article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non...
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Series: | 19 : Interdisciplinary Studies in the Long Nineteenth Century |
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Online Access: | http://19.bbk.ac.uk/article/id/1983/ |
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doaj-634d67f806ca4f4181369335679bef062021-08-18T09:05:34ZengOpen Library of Humanities19 : Interdisciplinary Studies in the Long Nineteenth Century1755-15602020-03-0102910.16995/ntn.1983Sympathy–Antipathy in Daniel DerondaCarolyn Burdett0English, Birkbeck, University of LondonThis article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non-adjacent things, and matched in its force by sympathy’s original twin, antipathy. The article investigates the novel’s antipathies, arguing that Eliot eschews meliorism and offers instead a brave glimpse into the obdurate forces of hatred and destructiveness that shadow our best selves.http://19.bbk.ac.uk/article/id/1983/many-sidednesssympathy–antipathyliberalismoccultantipathysympathy |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Carolyn Burdett |
spellingShingle |
Carolyn Burdett Sympathy–Antipathy in Daniel Deronda 19 : Interdisciplinary Studies in the Long Nineteenth Century many-sidedness sympathy–antipathy liberalism occult antipathy sympathy |
author_facet |
Carolyn Burdett |
author_sort |
Carolyn Burdett |
title |
Sympathy–Antipathy in Daniel Deronda |
title_short |
Sympathy–Antipathy in Daniel Deronda |
title_full |
Sympathy–Antipathy in Daniel Deronda |
title_fullStr |
Sympathy–Antipathy in Daniel Deronda |
title_full_unstemmed |
Sympathy–Antipathy in Daniel Deronda |
title_sort |
sympathy–antipathy in daniel deronda |
publisher |
Open Library of Humanities |
series |
19 : Interdisciplinary Studies in the Long Nineteenth Century |
issn |
1755-1560 |
publishDate |
2020-03-01 |
description |
This article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non-adjacent things, and matched in its force by sympathy’s original twin, antipathy. The article investigates the novel’s antipathies, arguing that Eliot eschews meliorism and offers instead a brave glimpse into the obdurate forces of hatred and destructiveness that shadow our best selves. |
topic |
many-sidedness sympathy–antipathy liberalism occult antipathy sympathy |
url |
http://19.bbk.ac.uk/article/id/1983/ |
work_keys_str_mv |
AT carolynburdett sympathyantipathyindanielderonda |
_version_ |
1721203427845865472 |