Sympathy–Antipathy in Daniel Deronda

This article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non...

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Main Author: Carolyn Burdett
Format: Article
Language:English
Published: Open Library of Humanities 2020-03-01
Series:19 : Interdisciplinary Studies in the Long Nineteenth Century
Subjects:
Online Access:http://19.bbk.ac.uk/article/id/1983/
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spelling doaj-634d67f806ca4f4181369335679bef062021-08-18T09:05:34ZengOpen Library of Humanities19 : Interdisciplinary Studies in the Long Nineteenth Century1755-15602020-03-0102910.16995/ntn.1983Sympathy–Antipathy in Daniel DerondaCarolyn Burdett0English, Birkbeck, University of LondonThis article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non-adjacent things, and matched in its force by sympathy’s original twin, antipathy. The article investigates the novel’s antipathies, arguing that Eliot eschews meliorism and offers instead a brave glimpse into the obdurate forces of hatred and destructiveness that shadow our best selves.http://19.bbk.ac.uk/article/id/1983/many-sidednesssympathy–antipathyliberalismoccultantipathysympathy
collection DOAJ
language English
format Article
sources DOAJ
author Carolyn Burdett
spellingShingle Carolyn Burdett
Sympathy–Antipathy in Daniel Deronda
19 : Interdisciplinary Studies in the Long Nineteenth Century
many-sidedness
sympathy–antipathy
liberalism
occult
antipathy
sympathy
author_facet Carolyn Burdett
author_sort Carolyn Burdett
title Sympathy–Antipathy in Daniel Deronda
title_short Sympathy–Antipathy in Daniel Deronda
title_full Sympathy–Antipathy in Daniel Deronda
title_fullStr Sympathy–Antipathy in Daniel Deronda
title_full_unstemmed Sympathy–Antipathy in Daniel Deronda
title_sort sympathy–antipathy in daniel deronda
publisher Open Library of Humanities
series 19 : Interdisciplinary Studies in the Long Nineteenth Century
issn 1755-1560
publishDate 2020-03-01
description This article argues that, in her final novel, Daniel Deronda, Eliot uses her eponymous protagonist to simultaneously exemplify and problematize the type of sympathy she had championed from the 1850s. Sympathetic affinity in the novel works like original ‘occult’ sympathy, irresistibly connecting non-adjacent things, and matched in its force by sympathy’s original twin, antipathy. The article investigates the novel’s antipathies, arguing that Eliot eschews meliorism and offers instead a brave glimpse into the obdurate forces of hatred and destructiveness that shadow our best selves.
topic many-sidedness
sympathy–antipathy
liberalism
occult
antipathy
sympathy
url http://19.bbk.ac.uk/article/id/1983/
work_keys_str_mv AT carolynburdett sympathyantipathyindanielderonda
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