Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag

Parody as hybridic text: research report Parody can be seen as one of the techniques of selfreferentiality through which a consciousness of the context dependency of meaning is revealed in an aesthetic way. This article explores the theoretical background of parody as literary style against which...

Full description

Bibliographic Details
Main Author: E. Kruger
Format: Article
Language:Afrikaans
Published: AOSIS 2006-07-01
Series:Literator
Subjects:
Online Access:https://literator.org.za/index.php/literator/article/view/194
id doaj-62db67f3a92444cfabda9a9fb038c4fb
record_format Article
spelling doaj-62db67f3a92444cfabda9a9fb038c4fb2020-11-24T23:31:07ZafrAOSISLiterator0258-22792219-82372006-07-012728310810.4102/lit.v27i2.194166Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslagE. Kruger0Kurrikulumstudies, Fakulteit Opvoedkunde, Universiteit van StellenboschParody as hybridic text: research report Parody can be seen as one of the techniques of selfreferentiality through which a consciousness of the context dependency of meaning is revealed in an aesthetic way. This article explores the theoretical background of parody as literary style against which the researcher challenged a group of teacher education students in a research programme to generate their own parodies. The task required that they choose a well-known fairy tale and use its structure to mock their own society. Students of another group were asked as the writers’ peers to read the stories in order to engage in a dialogue between encoder and decoder in the process of reception. The educational aim of the programme was to equip students to reflect critically and react creatively to social, political and economic issues that surround them. Furthermore, the researcher wanted to discover how these texts would generate a flexibility, fluency and hybridity in relationship with the students’ cultural identity and how they would project their own liminality in a no-man’s land between youth and adulthood. Analysis and interpretation of the parody texts revealed themes of late capitalism, materialism and consumerism, as well as typical student cultural manifestations of language usage and some of their existing attitudes toward the South African political society in post-apartheid. The students’ parodies have intertextual density with imitation and subversion of the original text contexts and values. The writers used a variety of stylistic techniques to generate double-voiced narratives as manifestation of literary creativity.https://literator.org.za/index.php/literator/article/view/194Consumer SocietyCross Cultural HumorHeteroglossiaHybridityIntertextualityLiminalityParodyPostmodernityStudent Culture
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author E. Kruger
spellingShingle E. Kruger
Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
Literator
Consumer Society
Cross Cultural Humor
Heteroglossia
Hybridity
Intertextuality
Liminality
Parody
Postmodernity
Student Culture
author_facet E. Kruger
author_sort E. Kruger
title Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
title_short Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
title_full Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
title_fullStr Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
title_full_unstemmed Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
title_sort onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag
publisher AOSIS
series Literator
issn 0258-2279
2219-8237
publishDate 2006-07-01
description Parody as hybridic text: research report Parody can be seen as one of the techniques of selfreferentiality through which a consciousness of the context dependency of meaning is revealed in an aesthetic way. This article explores the theoretical background of parody as literary style against which the researcher challenged a group of teacher education students in a research programme to generate their own parodies. The task required that they choose a well-known fairy tale and use its structure to mock their own society. Students of another group were asked as the writers’ peers to read the stories in order to engage in a dialogue between encoder and decoder in the process of reception. The educational aim of the programme was to equip students to reflect critically and react creatively to social, political and economic issues that surround them. Furthermore, the researcher wanted to discover how these texts would generate a flexibility, fluency and hybridity in relationship with the students’ cultural identity and how they would project their own liminality in a no-man’s land between youth and adulthood. Analysis and interpretation of the parody texts revealed themes of late capitalism, materialism and consumerism, as well as typical student cultural manifestations of language usage and some of their existing attitudes toward the South African political society in post-apartheid. The students’ parodies have intertextual density with imitation and subversion of the original text contexts and values. The writers used a variety of stylistic techniques to generate double-voiced narratives as manifestation of literary creativity.
topic Consumer Society
Cross Cultural Humor
Heteroglossia
Hybridity
Intertextuality
Liminality
Parody
Postmodernity
Student Culture
url https://literator.org.za/index.php/literator/article/view/194
work_keys_str_mv AT ekruger onderwysstudenteseparodieeashibridiesetekstennavorsingsverslag
_version_ 1725538830549778432