Alienation and desire in the filmic representation of dubbing as a job
In the early 20th century, at the dawn of cinema, human labor in industrial society had already been shown as a factor of reification and alienation in films such as Metropolis (1927), by the Austrian-German director Fritz Lang, and Modern times (1936), by British director Charles Chaplin. More rece...
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| Format: | Article |
| Language: | English |
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Universidade de Brasília
2012-01-01
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| Series: | Horizontes |
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| Online Access: | http://periodicos.unb.br/index.php/horizontesla/article/view/6076 |