Identité générique et identité sexuelle dans « Eugénie de Franval »
In “Idée sur les romans,” Sade imagines a genealogy of the novel, and distinguishes two traditions: the first one has to do with the energy of the sublime, and is clearly associated with masculine values; the second one is delicate and tender, and is linked to feminine values. In “Eugénie de Franval...
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Format: | Article |
Language: | fra |
Published: |
Pléiade (EA 7338)
2013-11-01
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Series: | Itinéraires |
Subjects: | |
Online Access: | http://journals.openedition.org/itineraires/736 |
Summary: | In “Idée sur les romans,” Sade imagines a genealogy of the novel, and distinguishes two traditions: the first one has to do with the energy of the sublime, and is clearly associated with masculine values; the second one is delicate and tender, and is linked to feminine values. In “Eugénie de Franval,” Sade tries to merge these two traditions. A reading of Sade’s short story in the light of Edmund Burke’s A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful can help us understand the confusion of poetics and of sexual identities that is at the centre of the act of writing for the marquis. |
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ISSN: | 2427-920X |