The Prison Ward, Film Space and Memory Place in the Spanish Cinema

In this paper we consider the combination of three issues, which also separately, have a significant interest from both academic research and film studios as from the historiographical studies. First, consideration of the role of women in past events, i.e. women as historical subject and, at the sam...

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Main Author: José Luis Sánchez Noriega
Format: Article
Language:Spanish
Published: Universidad Complutense de Madrid 2016-12-01
Series:Cuadernos de Historia Contemporánea
Subjects:
Online Access:https://revistas.ucm.es/index.php/CHCO/article/view/54301
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spelling doaj-622a0b9e0b80424da8fddff8cec13c6e2020-11-24T20:47:24ZspaUniversidad Complutense de MadridCuadernos de Historia Contemporánea0214-400X1988-27342016-12-0138030332310.5209/CHCO.5430150779The Prison Ward, Film Space and Memory Place in the Spanish CinemaJosé Luis Sánchez NoriegaIn this paper we consider the combination of three issues, which also separately, have a significant interest from both academic research and film studios as from the historiographical studies. First, consideration of the role of women in past events, i.e. women as historical subject and, at the same time as a film subject; secondly, prison as a space of historical interest (social, political) as “place of memory”; and thirdly, the approach to works of a cycle scarcely cultivated by Spanish film and movies such as stories and performances that mostly take place in prisons: the prison film. The combination of these three perspectives takes place in a short but significant filmography that is our object of study.https://revistas.ucm.es/index.php/CHCO/article/view/54301Cine penitenciariocárcel de mujeresmilitantes republicanasguerrillaposguerrafranquismonacionalcatolicismo.
collection DOAJ
language Spanish
format Article
sources DOAJ
author José Luis Sánchez Noriega
spellingShingle José Luis Sánchez Noriega
The Prison Ward, Film Space and Memory Place in the Spanish Cinema
Cuadernos de Historia Contemporánea
Cine penitenciario
cárcel de mujeres
militantes republicanas
guerrilla
posguerra
franquismo
nacionalcatolicismo.
author_facet José Luis Sánchez Noriega
author_sort José Luis Sánchez Noriega
title The Prison Ward, Film Space and Memory Place in the Spanish Cinema
title_short The Prison Ward, Film Space and Memory Place in the Spanish Cinema
title_full The Prison Ward, Film Space and Memory Place in the Spanish Cinema
title_fullStr The Prison Ward, Film Space and Memory Place in the Spanish Cinema
title_full_unstemmed The Prison Ward, Film Space and Memory Place in the Spanish Cinema
title_sort prison ward, film space and memory place in the spanish cinema
publisher Universidad Complutense de Madrid
series Cuadernos de Historia Contemporánea
issn 0214-400X
1988-2734
publishDate 2016-12-01
description In this paper we consider the combination of three issues, which also separately, have a significant interest from both academic research and film studios as from the historiographical studies. First, consideration of the role of women in past events, i.e. women as historical subject and, at the same time as a film subject; secondly, prison as a space of historical interest (social, political) as “place of memory”; and thirdly, the approach to works of a cycle scarcely cultivated by Spanish film and movies such as stories and performances that mostly take place in prisons: the prison film. The combination of these three perspectives takes place in a short but significant filmography that is our object of study.
topic Cine penitenciario
cárcel de mujeres
militantes republicanas
guerrilla
posguerra
franquismo
nacionalcatolicismo.
url https://revistas.ucm.es/index.php/CHCO/article/view/54301
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