Joaquim Mir and the Toyshop: microhistory of a portrait

Can a pictorial portrait inspire a micro-history exercise? Our research will try to bring a positive answer to this question by assessing one of the few portraits by the post-Impressionist painter Joaquim Mir Trinxet dating back to 1926. The main depicted character is none other than the painter’s f...

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Main Authors: Oriol Vaz-Romero Trueba, Esther Alsina-Galofré
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2016-01-01
Series:Arte, Individuo y Sociedad
Subjects:
Online Access:http://revistas.ucm.es/index.php/ARIS/article/view/47686
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spelling doaj-6144b0f0cde742679aebb93bdeb52f812020-11-25T01:20:22ZengUniversidad Complutense de MadridArte, Individuo y Sociedad1131-55981988-24082016-01-0128112113810.5209/rev_ARIS.2016.v28.n1.4768648961Joaquim Mir and the Toyshop: microhistory of a portraitOriol Vaz-Romero Trueba0Esther Alsina-Galofré1Universidad de BarcelonaUniversidad de BarcelonaCan a pictorial portrait inspire a micro-history exercise? Our research will try to bring a positive answer to this question by assessing one of the few portraits by the post-Impressionist painter Joaquim Mir Trinxet dating back to 1926. The main depicted character is none other than the painter’s father in-law, Antoni Estalella Trinxet, a well-known person in Vilanova y la Geltrú (Barcelona) who lived between two centuries. The painting is set at the family’s store. Therefore it became one of the rare masterpieces showing the inside of a toyshop in Spain’s pre-civil war period. Thanks to the research carried out at local archives, this contribution brings together many unpublished documents. The latter allow us to reconstruct the life of the portrayed man, who became Francisco Pi y Margall’s correspondent, but also the Villanova’s social, artistic and commercial environment, in a period spanning from the 1870s to the early 20th century, during the “Golden Age” of the toy industry. These pages mean to be a historiographical methodology proposal whose origins are set at the archaic craft of cooperage leading finally to the dawn of toy’s modern trade.http://revistas.ucm.es/index.php/ARIS/article/view/47686Joaquim Mirpintura españolajuguetesmicrohistoriasiglo XX
collection DOAJ
language English
format Article
sources DOAJ
author Oriol Vaz-Romero Trueba
Esther Alsina-Galofré
spellingShingle Oriol Vaz-Romero Trueba
Esther Alsina-Galofré
Joaquim Mir and the Toyshop: microhistory of a portrait
Arte, Individuo y Sociedad
Joaquim Mir
pintura española
juguetes
microhistoria
siglo XX
author_facet Oriol Vaz-Romero Trueba
Esther Alsina-Galofré
author_sort Oriol Vaz-Romero Trueba
title Joaquim Mir and the Toyshop: microhistory of a portrait
title_short Joaquim Mir and the Toyshop: microhistory of a portrait
title_full Joaquim Mir and the Toyshop: microhistory of a portrait
title_fullStr Joaquim Mir and the Toyshop: microhistory of a portrait
title_full_unstemmed Joaquim Mir and the Toyshop: microhistory of a portrait
title_sort joaquim mir and the toyshop: microhistory of a portrait
publisher Universidad Complutense de Madrid
series Arte, Individuo y Sociedad
issn 1131-5598
1988-2408
publishDate 2016-01-01
description Can a pictorial portrait inspire a micro-history exercise? Our research will try to bring a positive answer to this question by assessing one of the few portraits by the post-Impressionist painter Joaquim Mir Trinxet dating back to 1926. The main depicted character is none other than the painter’s father in-law, Antoni Estalella Trinxet, a well-known person in Vilanova y la Geltrú (Barcelona) who lived between two centuries. The painting is set at the family’s store. Therefore it became one of the rare masterpieces showing the inside of a toyshop in Spain’s pre-civil war period. Thanks to the research carried out at local archives, this contribution brings together many unpublished documents. The latter allow us to reconstruct the life of the portrayed man, who became Francisco Pi y Margall’s correspondent, but also the Villanova’s social, artistic and commercial environment, in a period spanning from the 1870s to the early 20th century, during the “Golden Age” of the toy industry. These pages mean to be a historiographical methodology proposal whose origins are set at the archaic craft of cooperage leading finally to the dawn of toy’s modern trade.
topic Joaquim Mir
pintura española
juguetes
microhistoria
siglo XX
url http://revistas.ucm.es/index.php/ARIS/article/view/47686
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