Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There

The article examines the representation of Native American urban identity in Theodore Van Alst’s Sacred Smokes (2018) and Tommy Orange’s There There (2018). Drawing upon Stuart Hall’s and James Clifford’s theories of identity and diaspora and Robert Young’s distinction between the “organic” and the...

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Main Authors: Sanja Runtić, Marija Krivokapić
Format: Article
Language:English
Published: University of Zadar 2020-06-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=631
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spelling doaj-61302c36f31047c4bc97d1add97c29f32021-06-16T09:34:49ZengUniversity of Zadar[sic]1847-77552020-06-0110310.15291/sic/3.10.lc.3631Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There ThereSanja RuntićMarija KrivokapićThe article examines the representation of Native American urban identity in Theodore Van Alst’s Sacred Smokes (2018) and Tommy Orange’s There There (2018). Drawing upon Stuart Hall’s and James Clifford’s theories of identity and diaspora and Robert Young’s distinction between the “organic” and the “diasporizing” modes of hybridity, it analyzes hybrid strategies through which these texts define their characters’ complex diasporic experience and extend the literary tradition of “survivance.” The paper argues that by exploring the concepts of history, community, and home and by emphasizing the narrative, imaginative, and relational aspects of their characters’ traveling identities, Van Alst’s and Orange’s texts remain strongly rooted in Native cultural perspective, in particular the “synecdochic” sense of self and the literary trope of “homing.” It also maintains that these characters’ precarious diasporic situation, albeit confining, allows them the freedom to (re)imagine themselves and thereby transcend their unstable deterritorialized and transcultural position and the realities of dispersal and alienation by inventing new modes of self-coherence and cultural continuity.http://www.sic-journal.org/ArticleView.aspx?aid=631
collection DOAJ
language English
format Article
sources DOAJ
author Sanja Runtić
Marija Krivokapić
spellingShingle Sanja Runtić
Marija Krivokapić
Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
[sic]
author_facet Sanja Runtić
Marija Krivokapić
author_sort Sanja Runtić
title Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
title_short Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
title_full Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
title_fullStr Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
title_full_unstemmed Native American Urban Narratives: Theodore Van Alst’s Sacred Smokes and Tommy Orange’s There There
title_sort native american urban narratives: theodore van alst’s sacred smokes and tommy orange’s there there
publisher University of Zadar
series [sic]
issn 1847-7755
publishDate 2020-06-01
description The article examines the representation of Native American urban identity in Theodore Van Alst’s Sacred Smokes (2018) and Tommy Orange’s There There (2018). Drawing upon Stuart Hall’s and James Clifford’s theories of identity and diaspora and Robert Young’s distinction between the “organic” and the “diasporizing” modes of hybridity, it analyzes hybrid strategies through which these texts define their characters’ complex diasporic experience and extend the literary tradition of “survivance.” The paper argues that by exploring the concepts of history, community, and home and by emphasizing the narrative, imaginative, and relational aspects of their characters’ traveling identities, Van Alst’s and Orange’s texts remain strongly rooted in Native cultural perspective, in particular the “synecdochic” sense of self and the literary trope of “homing.” It also maintains that these characters’ precarious diasporic situation, albeit confining, allows them the freedom to (re)imagine themselves and thereby transcend their unstable deterritorialized and transcultural position and the realities of dispersal and alienation by inventing new modes of self-coherence and cultural continuity.
url http://www.sic-journal.org/ArticleView.aspx?aid=631
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