THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3

This article focuses on a form analysis of one of Gheorghe Neaga’s last works. With a bipartite cyclical structure, String Quartet No.3 fits perfectly into the category of demonstrating opuses for removing from the foreground of the classical quadrature specific to the quartet genre and replacing it...

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Main Author: CHICIUC NATALIA
Format: Article
Language:deu
Published: Notograf Prim 2017-12-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/152689925842_Chiciuc_Problemaformeiincvartetulnr.3pentruinstrumentecucoardedeGheorgheNeaga.pdf
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spelling doaj-60d25046b7bb4d06b3b4b877320946ce2020-11-25T01:21:57ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-12-012(31)230234THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3CHICIUC NATALIA0Academy of Music, Theatre and Fine ArtsThis article focuses on a form analysis of one of Gheorghe Neaga’s last works. With a bipartite cyclical structure, String Quartet No.3 fits perfectly into the category of demonstrating opuses for removing from the foreground of the classical quadrature specific to the quartet genre and replacing its importance with various other means of high artistic thinking and conceptualization of music. Thus, focusing on a modal language, the author also avoids the usual patterns for the inner forms of the parts of a quartet. In addition, Gheorghe Neaga doesn’t adapt the content to stunning developments, but gives his preference for heterophony, and the modal relations are integrated in the chromatic totality, so that the sound universe of the work gets a significant complexity.http://revista.amtap.md/wp-content/files_mf/152689925842_Chiciuc_Problemaformeiincvartetulnr.3pentruinstrumentecucoardedeGheorgheNeaga.pdfGheorghe NeagaQuartet No.3String Quartet No.3heterophonybipartite cyclical structurequartet genreclassical quadrature
collection DOAJ
language deu
format Article
sources DOAJ
author CHICIUC NATALIA
spellingShingle CHICIUC NATALIA
THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Gheorghe Neaga
Quartet No.3
String Quartet No.3
heterophony
bipartite cyclical structure
quartet genre
classical quadrature
author_facet CHICIUC NATALIA
author_sort CHICIUC NATALIA
title THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
title_short THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
title_full THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
title_fullStr THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
title_full_unstemmed THE PROBLEM OF FORM IN GHEORGHE NEAGA’S STRING QUARTET NO.3
title_sort problem of form in gheorghe neaga’s string quartet no.3
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2017-12-01
description This article focuses on a form analysis of one of Gheorghe Neaga’s last works. With a bipartite cyclical structure, String Quartet No.3 fits perfectly into the category of demonstrating opuses for removing from the foreground of the classical quadrature specific to the quartet genre and replacing its importance with various other means of high artistic thinking and conceptualization of music. Thus, focusing on a modal language, the author also avoids the usual patterns for the inner forms of the parts of a quartet. In addition, Gheorghe Neaga doesn’t adapt the content to stunning developments, but gives his preference for heterophony, and the modal relations are integrated in the chromatic totality, so that the sound universe of the work gets a significant complexity.
topic Gheorghe Neaga
Quartet No.3
String Quartet No.3
heterophony
bipartite cyclical structure
quartet genre
classical quadrature
url http://revista.amtap.md/wp-content/files_mf/152689925842_Chiciuc_Problemaformeiincvartetulnr.3pentruinstrumentecucoardedeGheorgheNeaga.pdf
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