Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?

As changes in Northern Ireland have been reflected in films dealing with the political conflict over the last three decades, women still mostly appear as victims of political violence. While it is very rare to see women’s political involvement in the Northern Irish co...

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Bibliographic Details
Main Author: Cécile Bazin
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2014-11-01
Series:Revue LISA
Subjects:
Online Access:http://journals.openedition.org/lisa/6892
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spelling doaj-60c9c8d60cc64ff793b676aa0d2acf192021-10-02T03:50:37ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532014-11-0110.4000/lisa.6892Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?Cécile BazinAs changes in Northern Ireland have been reflected in films dealing with the political conflict over the last three decades, women still mostly appear as victims of political violence. While it is very rare to see women’s political involvement in the Northern Irish conflict on screen, Maeve (Pat Murphy, 1981) projects specific images of the Troubles through a feminist meditation on the status of Catholic women coming from a Republican background in Northern Ireland. As the film explores the myth of Mother Ireland, this article analyses the images that tackle the political question linking it to the gendered nature of power and historical discourse.http://journals.openedition.org/lisa/6892victim(s)exclusionCatholicRepublicanwomanNorthern Ireland
collection DOAJ
language English
format Article
sources DOAJ
author Cécile Bazin
spellingShingle Cécile Bazin
Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
Revue LISA
victim(s)
exclusion
Catholic
Republican
woman
Northern Ireland
author_facet Cécile Bazin
author_sort Cécile Bazin
title Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
title_short Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
title_full Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
title_fullStr Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
title_full_unstemmed Les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film Maeve ?
title_sort les femmes et le confit politique nord-irlandais à l’écran : images d’une population exclue ou victime dans le film maeve ?
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2014-11-01
description As changes in Northern Ireland have been reflected in films dealing with the political conflict over the last three decades, women still mostly appear as victims of political violence. While it is very rare to see women’s political involvement in the Northern Irish conflict on screen, Maeve (Pat Murphy, 1981) projects specific images of the Troubles through a feminist meditation on the status of Catholic women coming from a Republican background in Northern Ireland. As the film explores the myth of Mother Ireland, this article analyses the images that tackle the political question linking it to the gendered nature of power and historical discourse.
topic victim(s)
exclusion
Catholic
Republican
woman
Northern Ireland
url http://journals.openedition.org/lisa/6892
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