Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini
I would like to show in this paper that it is legitimate and fruitful to consider Fellini’s and Pasolini’s works through Warburg’s studies of the Quattrocento or of the Hopis in America. The comparison of their methods paves the way for new perspectives on their relation to the past. Indeed, we may...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2011-01-01
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| Series: | Mise au Point |
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| Online Access: | http://journals.openedition.org/map/992 |