“She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career

Delarivier Manley has long been discussed as a sensational and successful Tory political satirist of the early eighteenth century. In the late seventeenth century, however, she associated with Whigs, experimented with genres, and tested different techniques for marketing her texts. Mimicking the met...

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Main Author: Kate Ozment
Format: Article
Language:English
Published: Ghent University 2016-06-01
Series:Authorship
Subjects:
Online Access:https://www.authorship.ugent.be/article/view/2354
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spelling doaj-60521daf480147b6970c9a77b34b63202020-11-24T22:44:29ZengGhent UniversityAuthorship2034-46432016-06-0151“She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early CareerKate Ozment0Texas A&MDelarivier Manley has long been discussed as a sensational and successful Tory political satirist of the early eighteenth century. In the late seventeenth century, however, she associated with Whigs, experimented with genres, and tested different techniques for marketing her texts. Mimicking the methods of celebrity actresses, Manley used paratextual addresses to engage public interest in a carefully curated identity, creating a commodity in her persona that she would employ throughout her career. This paper traces her developing persona in her first three publications: Letters Writen by Mrs. Manley, The Lost Lover, and The Royal Mischief. Although these texts are not explicitly political satire, they nevertheless explicate the preliminary and halting machinations of an astute businesswoman and the marketing tactics Manley would employ throughout her career. The result is a more complete and nuanced picture of Manley’s commercial authorship.https://www.authorship.ugent.be/article/view/2354Delarivier ManleyKate OzmentGenderCelebritycelebrity studiesself-representation
collection DOAJ
language English
format Article
sources DOAJ
author Kate Ozment
spellingShingle Kate Ozment
“She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
Authorship
Delarivier Manley
Kate Ozment
Gender
Celebrity
celebrity studies
self-representation
author_facet Kate Ozment
author_sort Kate Ozment
title “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
title_short “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
title_full “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
title_fullStr “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
title_full_unstemmed “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career
title_sort “she writes like a woman”: paratextual marketing in delarivier manley’s early career
publisher Ghent University
series Authorship
issn 2034-4643
publishDate 2016-06-01
description Delarivier Manley has long been discussed as a sensational and successful Tory political satirist of the early eighteenth century. In the late seventeenth century, however, she associated with Whigs, experimented with genres, and tested different techniques for marketing her texts. Mimicking the methods of celebrity actresses, Manley used paratextual addresses to engage public interest in a carefully curated identity, creating a commodity in her persona that she would employ throughout her career. This paper traces her developing persona in her first three publications: Letters Writen by Mrs. Manley, The Lost Lover, and The Royal Mischief. Although these texts are not explicitly political satire, they nevertheless explicate the preliminary and halting machinations of an astute businesswoman and the marketing tactics Manley would employ throughout her career. The result is a more complete and nuanced picture of Manley’s commercial authorship.
topic Delarivier Manley
Kate Ozment
Gender
Celebrity
celebrity studies
self-representation
url https://www.authorship.ugent.be/article/view/2354
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