| Summary: | Some of the most interesting narrative literature recently produced in Spain is distinguished by the incorporation of auto- or bio-fictional elements (for instance, Miguel Ángel Hernández, El dolor de los demás [2018]; Pablo Martín Sánchez, Diario de un viejo cabezota [2020]). Not surprisingly, this ‘trend’ has already led to many academic studies on different aspects of autobiographical fiction. The new book by Patricia López-Gay is an extremely valuable contribution to this field, since it charts in a convincing and sophisticated manner the specifically Spanish genealogy and phenomenology of this literary tendency, covers the work of representative writers in a synthetic fashion, and develops an original argument about the intersection of auto-fictional prose and the narrative configuration of the archive.
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