ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
This article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes...
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Universidade Federal da Bahia - Centro de Estudos Afro-Orientais
2011-01-01
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Series: | Afro-Ásia |
Online Access: | http://www.redalyc.org/articulo.oa?id=77021122005 |
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doaj-5f8d5289cb5c439ca0ea1c531652518d2021-04-02T09:40:13ZengUniversidade Federal da Bahia - Centro de Estudos Afro-OrientaisAfro-Ásia0002-05911981-14112011-01-0143155194ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURAKleberson da Silva AlvesThis article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes. In the novel's plot, there is an impasse between masters who support the institution of slavery and those who are abolitionists. The former, represented by the character Leôncio, are shown as coarse, depraved, and cruel, while the latter, symbolized by another character, Álvaro, are portrayed as exemplary models of prudence. In constructing the story, the author shows Álvaro as coming out the winner, thus identifying this character as a more appropriate role model for the slaveowning classes, at a time when public opinion was turning against the institution of slavery.http://www.redalyc.org/articulo.oa?id=77021122005 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Kleberson da Silva Alves |
spellingShingle |
Kleberson da Silva Alves ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA Afro-Ásia |
author_facet |
Kleberson da Silva Alves |
author_sort |
Kleberson da Silva Alves |
title |
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA |
title_short |
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA |
title_full |
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA |
title_fullStr |
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA |
title_full_unstemmed |
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA |
title_sort |
escravistas versus emancipacionistas na prosa romântica: as representações senhoriais no romance a escrava isaura |
publisher |
Universidade Federal da Bahia - Centro de Estudos Afro-Orientais |
series |
Afro-Ásia |
issn |
0002-0591 1981-1411 |
publishDate |
2011-01-01 |
description |
This article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes. In the novel's plot, there is an impasse between masters who support the institution of slavery and those who are abolitionists. The former, represented by the character Leôncio, are shown as coarse, depraved, and cruel, while the latter, symbolized by another character, Álvaro, are portrayed as exemplary models of prudence. In constructing the story, the author shows Álvaro as coming out the winner, thus identifying this character as a more appropriate role model for the slaveowning classes, at a time when public opinion was turning against the institution of slavery. |
url |
http://www.redalyc.org/articulo.oa?id=77021122005 |
work_keys_str_mv |
AT klebersondasilvaalves escravistasversusemancipacionistasnaprosaromanticaasrepresentacoessenhoriaisnoromanceaescravaisaura |
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1724168887832936448 |