ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA

This article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes...

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Main Author: Kleberson da Silva Alves
Format: Article
Language:English
Published: Universidade Federal da Bahia - Centro de Estudos Afro-Orientais 2011-01-01
Series:Afro-Ásia
Online Access:http://www.redalyc.org/articulo.oa?id=77021122005
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spelling doaj-5f8d5289cb5c439ca0ea1c531652518d2021-04-02T09:40:13ZengUniversidade Federal da Bahia - Centro de Estudos Afro-OrientaisAfro-Ásia0002-05911981-14112011-01-0143155194ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURAKleberson da Silva AlvesThis article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes. In the novel's plot, there is an impasse between masters who support the institution of slavery and those who are abolitionists. The former, represented by the character Leôncio, are shown as coarse, depraved, and cruel, while the latter, symbolized by another character, Álvaro, are portrayed as exemplary models of prudence. In constructing the story, the author shows Álvaro as coming out the winner, thus identifying this character as a more appropriate role model for the slaveowning classes, at a time when public opinion was turning against the institution of slavery.http://www.redalyc.org/articulo.oa?id=77021122005
collection DOAJ
language English
format Article
sources DOAJ
author Kleberson da Silva Alves
spellingShingle Kleberson da Silva Alves
ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
Afro-Ásia
author_facet Kleberson da Silva Alves
author_sort Kleberson da Silva Alves
title ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
title_short ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
title_full ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
title_fullStr ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
title_full_unstemmed ESCRAVISTAS VERSUS EMANCIPACIONISTAS NA PROSA ROMÂNTICA: AS REPRESENTAÇÕES SENHORIAIS NO ROMANCE A ESCRAVA ISAURA
title_sort escravistas versus emancipacionistas na prosa romântica: as representações senhoriais no romance a escrava isaura
publisher Universidade Federal da Bahia - Centro de Estudos Afro-Orientais
series Afro-Ásia
issn 0002-0591
1981-1411
publishDate 2011-01-01
description This article analyzes representations of the dominant classes in the novel A Escrava Isaura (1875). Published during a time of public discussion over the matter of "the servile class" in Brazil, the novel can be seen as an attempt by the author to guide the behavior of the dominant classes. In the novel's plot, there is an impasse between masters who support the institution of slavery and those who are abolitionists. The former, represented by the character Leôncio, are shown as coarse, depraved, and cruel, while the latter, symbolized by another character, Álvaro, are portrayed as exemplary models of prudence. In constructing the story, the author shows Álvaro as coming out the winner, thus identifying this character as a more appropriate role model for the slaveowning classes, at a time when public opinion was turning against the institution of slavery.
url http://www.redalyc.org/articulo.oa?id=77021122005
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