Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning
Machine-learning models of music often exist outside the worlds of musical performance practice and abstracted from the physical gestures of musicians. In this work, we consider how a recurrent neural network (RNN) model of simple music gestures may be integrated into a physical instrument so that p...
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doaj-5f69ff51e94849369e032d59eb124f1a2020-11-25T02:31:42ZengFrontiers Media S.A.Frontiers in Artificial Intelligence2624-82122020-03-01310.3389/frai.2020.00006508777Understanding Musical Predictions With an Embodied Interface for Musical Machine LearningCharles Patrick Martin0Charles Patrick Martin1Charles Patrick Martin2Kyrre Glette3Kyrre Glette4Tønnes Frostad Nygaard5Jim Torresen6Jim Torresen7Research School of Computer Science, Australian National University, Canberra, ACT, AustraliaDepartment of Informatics, University of Oslo, Oslo, NorwayRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, NorwayDepartment of Informatics, University of Oslo, Oslo, NorwayRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, NorwayDepartment of Informatics, University of Oslo, Oslo, NorwayDepartment of Informatics, University of Oslo, Oslo, NorwayRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, NorwayMachine-learning models of music often exist outside the worlds of musical performance practice and abstracted from the physical gestures of musicians. In this work, we consider how a recurrent neural network (RNN) model of simple music gestures may be integrated into a physical instrument so that predictions are sonically and physically entwined with the performer's actions. We introduce EMPI, an embodied musical prediction interface that simplifies musical interaction and prediction to just one dimension of continuous input and output. The predictive model is a mixture density RNN trained to estimate the performer's next physical input action and the time at which this will occur. Predictions are represented sonically through synthesized audio, and physically with a motorized output indicator. We use EMPI to investigate how performers understand and exploit different predictive models to make music through a controlled study of performances with different models and levels of physical feedback. We show that while performers often favor a model trained on human-sourced data, they find different musical affordances in models trained on synthetic, and even random, data. Physical representation of predictions seemed to affect the length of performances. This work contributes new understandings of how musicians use generative ML models in real-time performance backed up by experimental evidence. We argue that a constrained musical interface can expose the affordances of embodied predictive interactions.https://www.frontiersin.org/article/10.3389/frai.2020.00006/fullmusical performanceinterfacemixture density network (MDN)recurrent neural network (RNN)creativitypredictive interaction |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Charles Patrick Martin Charles Patrick Martin Charles Patrick Martin Kyrre Glette Kyrre Glette Tønnes Frostad Nygaard Jim Torresen Jim Torresen |
spellingShingle |
Charles Patrick Martin Charles Patrick Martin Charles Patrick Martin Kyrre Glette Kyrre Glette Tønnes Frostad Nygaard Jim Torresen Jim Torresen Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning Frontiers in Artificial Intelligence musical performance interface mixture density network (MDN) recurrent neural network (RNN) creativity predictive interaction |
author_facet |
Charles Patrick Martin Charles Patrick Martin Charles Patrick Martin Kyrre Glette Kyrre Glette Tønnes Frostad Nygaard Jim Torresen Jim Torresen |
author_sort |
Charles Patrick Martin |
title |
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning |
title_short |
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning |
title_full |
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning |
title_fullStr |
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning |
title_full_unstemmed |
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning |
title_sort |
understanding musical predictions with an embodied interface for musical machine learning |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Artificial Intelligence |
issn |
2624-8212 |
publishDate |
2020-03-01 |
description |
Machine-learning models of music often exist outside the worlds of musical performance practice and abstracted from the physical gestures of musicians. In this work, we consider how a recurrent neural network (RNN) model of simple music gestures may be integrated into a physical instrument so that predictions are sonically and physically entwined with the performer's actions. We introduce EMPI, an embodied musical prediction interface that simplifies musical interaction and prediction to just one dimension of continuous input and output. The predictive model is a mixture density RNN trained to estimate the performer's next physical input action and the time at which this will occur. Predictions are represented sonically through synthesized audio, and physically with a motorized output indicator. We use EMPI to investigate how performers understand and exploit different predictive models to make music through a controlled study of performances with different models and levels of physical feedback. We show that while performers often favor a model trained on human-sourced data, they find different musical affordances in models trained on synthetic, and even random, data. Physical representation of predictions seemed to affect the length of performances. This work contributes new understandings of how musicians use generative ML models in real-time performance backed up by experimental evidence. We argue that a constrained musical interface can expose the affordances of embodied predictive interactions. |
topic |
musical performance interface mixture density network (MDN) recurrent neural network (RNN) creativity predictive interaction |
url |
https://www.frontiersin.org/article/10.3389/frai.2020.00006/full |
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