RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY

RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY

The article examines some problems of studying vocal music from the Renaissance era during the concert mastery course. The authors give special attention to two mutually related aspects of the teaching process, such as the students’ informational knowledge of the style of the performed music and the...

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Main Authors: SAVELIEVA TAMARA, BEREZOVICOVA TATIANA
Format: Article
Language:deu
Published: Notograf Prim 2017-12-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
aria
Claudio Monteverdi
clavichord
Giulio Caccini
harpsichord
Jacopo Peri
lute
madrigal
piano
Renaissance
virginal
Online Access:http://revista.amtap.md/wp-content/files_mf/152689083934_SavelievaBerezovicova_Vokalnajamuzykajepohivozrozhdenijakakpredmetizuchenijavklassekoncertmejsterskogomasterstva.pdf
id doaj-5f4e57d54b8c4c73b47e50ceb0b6bc86
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spelling doaj-5f4e57d54b8c4c73b47e50ceb0b6bc862020-11-24T23:15:33ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-12-012(31)188192RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERYSAVELIEVA TAMARA0BEREZOVICOVA TATIANA1Academy of Music, Theatre and Fine ArtsAcademy of Music, Theatre and Fine ArtsThe article examines some problems of studying vocal music from the Renaissance era during the concert mastery course. The authors give special attention to two mutually related aspects of the teaching process, such as the students’ informational knowledge of the style of the performed music and the technological aspect of studying the musical work. The combination of these two components is a prerequisite for creating a perfect artistic image.http://revista.amtap.md/wp-content/files_mf/152689083934_SavelievaBerezovicova_Vokalnajamuzykajepohivozrozhdenijakakpredmetizuchenijavklassekoncertmejsterskogomasterstva.pdfariaClaudio MonteverdiclavichordGiulio CacciniharpsichordJacopo PerilutemadrigalpianoRenaissancevirginal
collection DOAJ
language deu
format Article
sources DOAJ
author SAVELIEVA TAMARA
BEREZOVICOVA TATIANA
spellingShingle SAVELIEVA TAMARA
BEREZOVICOVA TATIANA
RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
aria
Claudio Monteverdi
clavichord
Giulio Caccini
harpsichord
Jacopo Peri
lute
madrigal
piano
Renaissance
virginal
author_facet SAVELIEVA TAMARA
BEREZOVICOVA TATIANA
author_sort SAVELIEVA TAMARA
title RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
title_short RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
title_full RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
title_fullStr RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
title_full_unstemmed RENAISSANCE’S VOCAL MUSIC AS OBJECT OF STUDY IN THE CLASS OF ACCOMPANIMENT MASTERY
title_sort renaissance’s vocal music as object of study in the class of accompaniment mastery
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2017-12-01
description The article examines some problems of studying vocal music from the Renaissance era during the concert mastery course. The authors give special attention to two mutually related aspects of the teaching process, such as the students’ informational knowledge of the style of the performed music and the technological aspect of studying the musical work. The combination of these two components is a prerequisite for creating a perfect artistic image.
topic aria
Claudio Monteverdi
clavichord
Giulio Caccini
harpsichord
Jacopo Peri
lute
madrigal
piano
Renaissance
virginal
url http://revista.amtap.md/wp-content/files_mf/152689083934_SavelievaBerezovicova_Vokalnajamuzykajepohivozrozhdenijakakpredmetizuchenijavklassekoncertmejsterskogomasterstva.pdf
work_keys_str_mv AT savelievatamara renaissancesvocalmusicasobjectofstudyintheclassofaccompanimentmastery
AT berezovicovatatiana renaissancesvocalmusicasobjectofstudyintheclassofaccompanimentmastery
_version_ 1725590535123501056

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