The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>

Putting Blue Humanities scholarship in critical dialogue with recent research on the ‘cultural fix’ and ‘fixed-labour-power’, this article offers a comparative reading of two Portuguese-language novels in which the figure of the female water-spirit features as an index for two contrasting modes of k...

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Main Author: Thomas Waller
Format: Article
Language:English
Published: MDPI AG 2020-08-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/9/3/72
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spelling doaj-5ef3c152d054400d885aa74647b627102020-11-25T02:33:32ZengMDPI AGHumanities2076-07872020-08-019727210.3390/h9030072The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>Thomas Waller0Department of Modern Languages and Cultures, University of Nottingham, Nottingham NG7 2RD, UKPutting Blue Humanities scholarship in critical dialogue with recent research on the ‘cultural fix’ and ‘fixed-labour-power’, this article offers a comparative reading of two Portuguese-language novels in which the figure of the female water-spirit features as an index for two contrasting modes of knowing the ocean. In Jorge Amado’s <i>Mar Morto</i> (1936), the water-spirit is registered as a passive and incomprehensible extra-human entity that looms over the poverty of the text’s working-class community of dockworkers with an ominous and mysterious edge. By contrast, the water-spirit in Pepetela’s novel <i>O Desejo de Kianda</i> (1995) is angry, active and only too immediate, seeking revenge for the extractivist violence carried out in the name of neoliberalism. Activating a broadly hydro-materialist framework, I argue that these differing conceptions of the water-spirit carry with them very different socio-ecological implications, and directly intersect with contemporary debates over hydrological crisis, the privatisation of the oceans and the enclosure of the water commons.https://www.mdpi.com/2076-0787/9/3/72world literatureworld-ecologyblue humanitiescultural fixJorge AmadoPepetela
collection DOAJ
language English
format Article
sources DOAJ
author Thomas Waller
spellingShingle Thomas Waller
The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
Humanities
world literature
world-ecology
blue humanities
cultural fix
Jorge Amado
Pepetela
author_facet Thomas Waller
author_sort Thomas Waller
title The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
title_short The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
title_full The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
title_fullStr The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
title_full_unstemmed The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s <i>Mar Morto</i> and Pepetela’s <i>O Desejo de Kianda</i>
title_sort blue cultural fix: water-spirits and world-ecology in jorge amado’s <i>mar morto</i> and pepetela’s <i>o desejo de kianda</i>
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2020-08-01
description Putting Blue Humanities scholarship in critical dialogue with recent research on the ‘cultural fix’ and ‘fixed-labour-power’, this article offers a comparative reading of two Portuguese-language novels in which the figure of the female water-spirit features as an index for two contrasting modes of knowing the ocean. In Jorge Amado’s <i>Mar Morto</i> (1936), the water-spirit is registered as a passive and incomprehensible extra-human entity that looms over the poverty of the text’s working-class community of dockworkers with an ominous and mysterious edge. By contrast, the water-spirit in Pepetela’s novel <i>O Desejo de Kianda</i> (1995) is angry, active and only too immediate, seeking revenge for the extractivist violence carried out in the name of neoliberalism. Activating a broadly hydro-materialist framework, I argue that these differing conceptions of the water-spirit carry with them very different socio-ecological implications, and directly intersect with contemporary debates over hydrological crisis, the privatisation of the oceans and the enclosure of the water commons.
topic world literature
world-ecology
blue humanities
cultural fix
Jorge Amado
Pepetela
url https://www.mdpi.com/2076-0787/9/3/72
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