The first stage of the IEHC (Institute of Hispanic Studies of the Canary Islands) and the progresist impulse in female artists exhibitions from 1953 to 1965
<p>There is a fragile but visible line that breaks the monotony and the darkness of the 50s and 60s in Canary Islands. At this dark moment when everything was silenced, in which more conservative and restrictive morality had seized up in society, several female artists decided to battle it out...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2018-12-01
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| Series: | Anales de Historia del Arte |
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| Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/61621 |