Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
This article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its politica...
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Linköping University Electronic Press
2020-11-01
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doaj-5e630e5e318c47fa9e7df593e31cef662020-11-25T04:01:06ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252020-11-0112241243510.3384/cu.v12i2.894894Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal ConjunctureJuho Tuomas Kaitajärvi-Tiekso0University of Tampere, Faculty of Communication StudiesThis article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its political, economic, and social context—or the neoliberal conjuncture. From the critical standpoint of conjunctural analysis it takes note of the albeit uneven nature of this neoliberalisation when it comes to the case of “independent micro-labels” in Finland who are seen to be maintaining the artistic critique of capitalism, as outlined by Luc Boltanski and Eve Chiapello. While the latter suggest that this critique has been, for all intents and purposes, assimilated into capitalism; the case of Finnish micro-labels would seem to repudiate the prevailing neoliberal notions of utilitarian music-making in the new amateur music economy discourse. This being said, the article does consider that it might be necessary for them to revise aspects of their critique if they want it to remain relevant in the new digital communication environment.https://cultureunbound.ep.liu.se/article/view/894new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Juho Tuomas Kaitajärvi-Tiekso |
spellingShingle |
Juho Tuomas Kaitajärvi-Tiekso Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture Culture Unbound: Journal of Current Cultural Research new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism. |
author_facet |
Juho Tuomas Kaitajärvi-Tiekso |
author_sort |
Juho Tuomas Kaitajärvi-Tiekso |
title |
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture |
title_short |
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture |
title_full |
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture |
title_fullStr |
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture |
title_full_unstemmed |
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture |
title_sort |
monetizing amateurs. artistic critique, new online record production and neoliberal conjuncture |
publisher |
Linköping University Electronic Press |
series |
Culture Unbound: Journal of Current Cultural Research |
issn |
2000-1525 |
publishDate |
2020-11-01 |
description |
This article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its political, economic, and social context—or the neoliberal conjuncture. From the critical standpoint of conjunctural analysis it takes note of the albeit uneven nature of this neoliberalisation when it comes to the case of “independent micro-labels” in Finland who are seen to be maintaining the artistic critique of capitalism, as outlined by Luc Boltanski and Eve Chiapello. While the latter suggest that this critique has been, for all intents and purposes, assimilated into capitalism; the case of Finnish micro-labels would seem to repudiate the prevailing neoliberal notions of utilitarian music-making in the new amateur music economy discourse. This being said, the article does consider that it might be necessary for them to revise aspects of their critique if they want it to remain relevant in the new digital communication environment. |
topic |
new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism. |
url |
https://cultureunbound.ep.liu.se/article/view/894 |
work_keys_str_mv |
AT juhotuomaskaitajarvitiekso monetizingamateursartisticcritiquenewonlinerecordproductionandneoliberalconjuncture |
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