Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture

This article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its politica...

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Bibliographic Details
Main Author: Juho Tuomas Kaitajärvi-Tiekso
Format: Article
Language:English
Published: Linköping University Electronic Press 2020-11-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:https://cultureunbound.ep.liu.se/article/view/894
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spelling doaj-5e630e5e318c47fa9e7df593e31cef662020-11-25T04:01:06ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252020-11-0112241243510.3384/cu.v12i2.894894Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal ConjunctureJuho Tuomas Kaitajärvi-Tiekso0University of Tampere, Faculty of Communication StudiesThis article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its political, economic, and social context—or the neoliberal conjuncture. From the critical standpoint of conjunctural analysis it takes note of the albeit uneven nature of this neoliberalisation when it comes to the case of “independent micro-labels” in Finland who are seen to be maintaining the artistic critique of capitalism, as outlined by Luc Boltanski and Eve Chiapello. While the latter suggest that this critique has been, for all intents and purposes, assimilated into capitalism; the case of Finnish micro-labels would seem to repudiate the prevailing neoliberal notions of utilitarian music-making in the new amateur music economy discourse. This being said, the article does consider that it might be necessary for them to revise aspects of their critique if they want it to remain relevant in the new digital communication environment.https://cultureunbound.ep.liu.se/article/view/894new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism.
collection DOAJ
language English
format Article
sources DOAJ
author Juho Tuomas Kaitajärvi-Tiekso
spellingShingle Juho Tuomas Kaitajärvi-Tiekso
Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
Culture Unbound: Journal of Current Cultural Research
new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism.
author_facet Juho Tuomas Kaitajärvi-Tiekso
author_sort Juho Tuomas Kaitajärvi-Tiekso
title Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
title_short Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
title_full Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
title_fullStr Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
title_full_unstemmed Monetizing Amateurs. Artistic Critique, New Online Record Production and Neoliberal Conjuncture
title_sort monetizing amateurs. artistic critique, new online record production and neoliberal conjuncture
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2020-11-01
description This article examines the “new amateur music economy” as an emerging academic discourse. This represents amateur musicians and producers—with access to new digital production and communication tools—as entrepreneurial, aspiring professionals. The article then connects the discourse with its political, economic, and social context—or the neoliberal conjuncture. From the critical standpoint of conjunctural analysis it takes note of the albeit uneven nature of this neoliberalisation when it comes to the case of “independent micro-labels” in Finland who are seen to be maintaining the artistic critique of capitalism, as outlined by Luc Boltanski and Eve Chiapello. While the latter suggest that this critique has been, for all intents and purposes, assimilated into capitalism; the case of Finnish micro-labels would seem to repudiate the prevailing neoliberal notions of utilitarian music-making in the new amateur music economy discourse. This being said, the article does consider that it might be necessary for them to revise aspects of their critique if they want it to remain relevant in the new digital communication environment.
topic new music economy, conjunctural analysis, micro-labels, artistic critique, neoliberalism.
url https://cultureunbound.ep.liu.se/article/view/894
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